Emma Louise

I do love therapy.

Shout out to Rebecca, my therapist.

I've seen her since I was 18.

Like, I mean, I think therapy is like.

I think when I first listened to this, and this whole album, it kind of just rearranged my view of songwriting.

When you listen to the song, there's so many chords, it's almost like there's a different chord or colour for each thing that he says in the song, for each line.

And it's like, as a songwriter or whatever, you can get caught in like, you know, there's like four chords and then for the chorus, it'll maybe change and blah, blah, blah.

You know, listening to this song and also that album, it's like a painting, you know, it's like constantly changing.

changing and then also with the like horn section and it gets all like abstract and weird i was i was just obsessed with it i think all of these songs were easy to choose because they're songs that i literally heard and then just played over and over and over and over again but i could never learn all of the chords in in this song and i almost don't want to

Yeah, I think that, you know, everybody can relate to that kind of stuff, you know.

And I think that that's why I love, we all love music, you know, because when the writer goes through something and then like truly expresses it, that resonates with the truth in us.

You can tell when something...

is true, it like has a life and you feel it.

The invisible parts of you connect to the invisible parts of the song, you know?

Yes, yes.

From the age of like 13 or 12, I wrote songs every day.

I've done like my 10,000 hours probably, you know, over and over.

And I think that it really helped me process what

And I always thought that I was a very aware person, like I know exactly how I feel.

And it was because I was always sifting through my feelings.