Fernando Mitri

after the Central Bank confirmed that the institution had decreed extrajudicial liquidation.

The appreciation of Brazilian cinema becomes more and more evident, having occurred in this year that passed with the film Ainda Estou Aqui, and now even more with the film

The Secret Agent is a valorization of Brazilian cinematography and consequently will bring good results for all Brazilian cinema.

The visibility of the awards is not just about winning awards, it is about people seeing that it is a cinema that is worth investing.

Because it's creative, it's engaged, it has content, it has creativity and it gives to the audience.

Política, com Fernando Mitri.

Flávio Bolsonaro grows in the first round, is better than Tarcísio de Freitas, who, however, in the second round is better than all the other names of the opposition in the dispute with Lula, even better than Flávio.

President Lula leads in all the simulations, but the research shows serious weaknesses in his image and in the government's assessment, which he would have to overcome.

The pre-candidacy of the son of the former president will gain more consistency, although a research item shows that the possibilities of opposition with a name outside the Bolsonaro family are much greater.

These are some important aspects that, among many, draw attention to this first Quest survey of the electoral year, the beginning of the game, in which politicians, with their articulations, interests and alliances, will still move a lot.

preparing the paths of this campaign that, as everything indicates, will be decided, basically, by the economy and by security.

So, even some of their employees who are in security, you see that they do not have the slightest condition.

There was a lady who was robbed here in front of me.

She was with two children, two horses.

They took her purse and her cell phone and ran here into the park.

Then you can't get any more, right?

Politics with Fernando Mitri.

Você também foi aplaudido em Cannes, dizia o trailer do filme O Pagador de Promessas, que emocionava as plateias nos cinemas de todo o Brasil no início dos anos 60.

E eu lá assistindo.

O orgulho nacional crescia com o prêmio em Cannes, anos depois de grandes momentos como O Brilhante, O Cangaceiro, de Lima Barreto, aquela novidade de 1953 que permanece novidade.