Finneas

Right, so you make something and the audience is like, you have to do something different. Anyway, so I mean, that's true of musicians, right? Like, if Billy or I make an album and nobody likes it, that's kind of our boss, right? Right. But, at the end of the day in the studio, it's just me. So the difference is like making the music for this TV show. Alfonso, the director is the boss.

Right, so you make something and the audience is like, you have to do something different. Anyway, so I mean, that's true of musicians, right? Like, if Billy or I make an album and nobody likes it, that's kind of our boss, right? Right. But, at the end of the day in the studio, it's just me. So the difference is like making the music for this TV show. Alfonso, the director is the boss.

Right, so you make something and the audience is like, you have to do something different. Anyway, so I mean, that's true of musicians, right? Like, if Billy or I make an album and nobody likes it, that's kind of our boss, right? Right. But, at the end of the day in the studio, it's just me. So the difference is like making the music for this TV show. Alfonso, the director is the boss.

So I turn in this piece of music to him and he goes like, it's not right. And you just kind of like throw it away.

So I turn in this piece of music to him and he goes like, it's not right. And you just kind of like throw it away.

So I turn in this piece of music to him and he goes like, it's not right. And you just kind of like throw it away.

But in this case, you actually have to hire to participate in the thing.

But in this case, you actually have to hire to participate in the thing.

But in this case, you actually have to hire to participate in the thing.

I think there were instances of both. I mean, I really think Alfonso is like kind of a genius person. And so even when I didn't maybe understand what he was going for, by the time I'd get to it, I'd be like, oh, I love this idea that he had. And then there were areas where I, you know, again, like your ego is like, but I'm so smart and my idea is great. You just have to kind of like let go of it.

I think there were instances of both. I mean, I really think Alfonso is like kind of a genius person. And so even when I didn't maybe understand what he was going for, by the time I'd get to it, I'd be like, oh, I love this idea that he had. And then there were areas where I, you know, again, like your ego is like, but I'm so smart and my idea is great. You just have to kind of like let go of it.

I think there were instances of both. I mean, I really think Alfonso is like kind of a genius person. And so even when I didn't maybe understand what he was going for, by the time I'd get to it, I'd be like, oh, I love this idea that he had. And then there were areas where I, you know, again, like your ego is like, but I'm so smart and my idea is great. You just have to kind of like let go of it.

Do you act also?

Do you act also?

Do you act also?

I just asked just now. I'm trying to. But there you go. That'll be your version of ego death.

I just asked just now. I'm trying to. But there you go. That'll be your version of ego death.

I just asked just now. I'm trying to. But there you go. That'll be your version of ego death.

You come in with your great idea about the character and your great delivery and the director's like, I don't like the energy of that thing. You know what I mean? And you have to not take it personally, right? You have to not go, I'm bad. You have to go like, it's different. It's different than I thought it was.

You come in with your great idea about the character and your great delivery and the director's like, I don't like the energy of that thing. You know what I mean? And you have to not take it personally, right? You have to not go, I'm bad. You have to go like, it's different. It's different than I thought it was.