FKA Twigs

Like in the end of Striptease, I worked with Marius de Vries and I sing all of these really high notes and he really guided me through all of those.

And I never would have written that line

by myself because I didn't know I could sing that high but when he was like saying like sing this note and I was like I don't know if I can sing that and then I did it and I could you know but I would not have written that solely by myself because I didn't know I could sing like that so yeah even in my own work sometimes it's nice to let go of the reins and let people you

move through me yeah like they can like put on my my flesh suit like put on my vessel and kind of create things through me with what they think that i'm possible of doing which is really nice when someone almost wears you and guides you yeah but with what they think you're able to do because it could be more than what you think you're able to do

Right.

I know, I've had to really work at it.

He is.

Yeah, it's really special, actually.

I think it's also the tone as well, because I've always sang very high, but sometimes I'll sing high and I can like, I'll like flick notes.

Yeah.

I can flick really high notes.

But then the way he encouraged me to sing, it was really long and almost, it's like this woman, we spoke about this woman at the edge of a mountain.

It's like the wind and her voice is going into the wind and telling this story to the valley below.

And this like woman on the edge of a cliff, like, you know, like Pocahontas, where it's like the leaves are gonna like push you off.

I've not sang with that tone before it's almost like I don't know it's like it's almost in a different language even though I'm not singing words it's really fun to do live though god so fun that's fantastic and it's just been amazing to be in your world for the last

Amazing.

I'm so happy I didn't cry.

Yeah.

Annoyingly.

Well, but back then they paid cash and it was good.