Gina Gershon

So you've got to kind of know exactly what you want to do.

And then if you can collaborate with them and they give you good ideas, great.

But if not, you have to know what you're doing, you know?

And so...

I approach a lot of stuff as a director and as a writer and kind of figure out what's the best thing and how to, you know, move through something.

Yeah, it's with everything.

Listen, if you go into a studio and you're like, you're trying to do your podcast and you've got someone saying, the best way to do it is through a piece of flypaper or wax.

And then it sounds really interesting and we'll tweak it.

And inside you're like, that is like the studio.

Yes.

But then you have to just learn how to go.

Oh, OK.

But you want to make your show that you have a responsibility to make what you're doing the best you know how to do it.

And sometimes you get really lame advice.

So you have to just know what to listen to and what not to listen to and how to deal with it.

Yeah.

I mean, I think the whole point of,

art, you know, or making something, whatever you want to call it, it's because you're trying to express something.

And I, you know, when someone's like trying to

change your mind, how that works.