Hal Puthoff

Meanwhile, back in the lab, he's drawing a picture of a playground with a merry-go-round. And he sees the results and he says, okay. You've convinced me. So it was that kind of thing that would push him over. Yeah, there's an example. Now, he misinterpreted what it was. He thought maybe it was a cupola or whatever. But anyway, that's his drawing on the right and that's where we were on the left.

Meanwhile, back in the lab, he's drawing a picture of a playground with a merry-go-round. And he sees the results and he says, okay. You've convinced me. So it was that kind of thing that would push him over. Yeah, there's an example. Now, he misinterpreted what it was. He thought maybe it was a cupola or whatever. But anyway, that's his drawing on the right and that's where we were on the left.

And so he said, so he went back to CIA and said, okay, this stuff really works. And he became one of their star remote viewers over the years.

And so he said, so he went back to CIA and said, okay, this stuff really works. And he became one of their star remote viewers over the years.

And so he said, so he went back to CIA and said, okay, this stuff really works. And he became one of their star remote viewers over the years.

Yep. Sure did.

Yep. Sure did.

Yep. Sure did.

There is a method and it's different from what you might think. You might think you would say to somebody, okay, we've got somebody to decide, kind of imagine where they are and see what it looks like and tell us what you find and all that kind of stuff. They're usually wrong when they do that because their imagination comes into play and they make up something or whatever.

There is a method and it's different from what you might think. You might think you would say to somebody, okay, we've got somebody to decide, kind of imagine where they are and see what it looks like and tell us what you find and all that kind of stuff. They're usually wrong when they do that because their imagination comes into play and they make up something or whatever.

There is a method and it's different from what you might think. You might think you would say to somebody, okay, we've got somebody to decide, kind of imagine where they are and see what it looks like and tell us what you find and all that kind of stuff. They're usually wrong when they do that because their imagination comes into play and they make up something or whatever.

But what we found out in the research, it took years and a lot of trials, was that you get a visceral response to a site. It's not that you necessarily get an image. So, in fact, we told them, you know, if you get an image, just put it down the right-hand side of the paper because it's probably wrong. Instead, just kind of put down your feelings as you get into the site.

But what we found out in the research, it took years and a lot of trials, was that you get a visceral response to a site. It's not that you necessarily get an image. So, in fact, we told them, you know, if you get an image, just put it down the right-hand side of the paper because it's probably wrong. Instead, just kind of put down your feelings as you get into the site.

But what we found out in the research, it took years and a lot of trials, was that you get a visceral response to a site. It's not that you necessarily get an image. So, in fact, we told them, you know, if you get an image, just put it down the right-hand side of the paper because it's probably wrong. Instead, just kind of put down your feelings as you get into the site.

If it's like water, they might do waves or if it's a mountain peak, they might, as Jacques described in one of your previous broadcasts, a mountain peak and they just feel like drawing something like that. Bit by bit, the process is very much a visceral feeling process.

If it's like water, they might do waves or if it's a mountain peak, they might, as Jacques described in one of your previous broadcasts, a mountain peak and they just feel like drawing something like that. Bit by bit, the process is very much a visceral feeling process.

If it's like water, they might do waves or if it's a mountain peak, they might, as Jacques described in one of your previous broadcasts, a mountain peak and they just feel like drawing something like that. Bit by bit, the process is very much a visceral feeling process.

And so the training procedure has them sitting with pads of paper and just making sketches and drawings and not trying to interpret what it is. And also being very not in a rush about it.

And so the training procedure has them sitting with pads of paper and just making sketches and drawings and not trying to interpret what it is. And also being very not in a rush about it.

And so the training procedure has them sitting with pads of paper and just making sketches and drawings and not trying to interpret what it is. And also being very not in a rush about it.