Janet Leigh

Right.

Because in the full shots where you wanted the body outline, right, I wore moleskin over, you know, where I should.

And that was, I think...

The roughest, well, one of the roughest things about that sequence because it's, as you know, it's a nude-colored, almost soft suede-like or something on the outside.

And then it's adhesive, obviously, on the inside.

And, you know, taking it on and off was very, on tender skin, it was painful.

Well, I think you use everything, every tool available for whatever you're trying to portray.

Certainly, I always noticed that during this shower sequence that everybody seemed to have a lot of assistance.

It was...

It was a closed set, but there were more people than I remember being on that set.

And one time, one of the most difficult scenes technically and also for me was at the end when she falls forward and grabs the shower curtain and goes over the tub.

Her head is kind of against that tub.

And he starts on a close-up of the eye.

and pulls back into a long shot.

Now, we did it several times.

We were in the 20 takes.

I don't know which one, 24, 5, something.

And because it wasn't automatic focus, it was hand focus, it was a very difficult technical shot for the camera operator who had to do the focusing as we pulled back.

And it was hard for me because of...

trying to just...