Jeremy McBride

Our insurers didn't even know. But I started making a film about the sixth extinction. Big cats in America. Yeah, okay.

Our insurers didn't even know. But I started making a film about the sixth extinction. Big cats in America. Yeah, okay.

I think I was telling Eric this, you know, it's so we could ask this question a lot about, you know, the state of, you know, non scripted, unscripted shows, documentaries and this this dramatization that you're seeing is a trend. People making very cinematic movies. real stories, dramatic recreations.

I think I was telling Eric this, you know, it's so we could ask this question a lot about, you know, the state of, you know, non scripted, unscripted shows, documentaries and this this dramatization that you're seeing is a trend. People making very cinematic movies. real stories, dramatic recreations.

I think I was telling Eric this, you know, it's so we could ask this question a lot about, you know, the state of, you know, non scripted, unscripted shows, documentaries and this this dramatization that you're seeing is a trend. People making very cinematic movies. real stories, dramatic recreations.

And Eric and I, we're talking about it a lot because so much of our content is so much more surreal than anything we can even make up or recreate. And that's what's so surreal about our process and also just the stuff we capture. It's stranger than fiction.

And Eric and I, we're talking about it a lot because so much of our content is so much more surreal than anything we can even make up or recreate. And that's what's so surreal about our process and also just the stuff we capture. It's stranger than fiction.

And Eric and I, we're talking about it a lot because so much of our content is so much more surreal than anything we can even make up or recreate. And that's what's so surreal about our process and also just the stuff we capture. It's stranger than fiction.

Yeah, and we also have, you know, Eric, we're also fortunate to have an incredibly talented team that can help, you know, create these experiences in a way on screen that make it authentic. Well, and it's also the editing process. Editing, of course. We had a great team. Incredible group of guys, of teams.

Yeah, and we also have, you know, Eric, we're also fortunate to have an incredibly talented team that can help, you know, create these experiences in a way on screen that make it authentic. Well, and it's also the editing process. Editing, of course. We had a great team. Incredible group of guys, of teams.

Yeah, and we also have, you know, Eric, we're also fortunate to have an incredibly talented team that can help, you know, create these experiences in a way on screen that make it authentic. Well, and it's also the editing process. Editing, of course. We had a great team. Incredible group of guys, of teams.

It would be very helpful. It seems like you guys are doing well. It's pretty organic. It's pretty organic. I think there's also, you know, you follow the core story, which was Tanya's story. We kind of knew that we had it. the minute the missing chimpanzee happened, or the supposed death occurred. So that was the story. Where is the chimp?

It would be very helpful. It seems like you guys are doing well. It's pretty organic. It's pretty organic. I think there's also, you know, you follow the core story, which was Tanya's story. We kind of knew that we had it. the minute the missing chimpanzee happened, or the supposed death occurred. So that was the story. Where is the chimp?

It would be very helpful. It seems like you guys are doing well. It's pretty organic. It's pretty organic. I think there's also, you know, you follow the core story, which was Tanya's story. We kind of knew that we had it. the minute the missing chimpanzee happened, or the supposed death occurred. So that was the story. Where is the chimp?

And through that story, we're able to kind of latch on all these other things. Now, what you don't know is we shot these other stories, you know... out of sequence. Travis came at the very end, so we had to figure out a way to weave it into episode two, weave it into episode four. We knew we really wanted that in to serve as thematic connection to Tanya's story.

And through that story, we're able to kind of latch on all these other things. Now, what you don't know is we shot these other stories, you know... out of sequence. Travis came at the very end, so we had to figure out a way to weave it into episode two, weave it into episode four. We knew we really wanted that in to serve as thematic connection to Tanya's story.

And through that story, we're able to kind of latch on all these other things. Now, what you don't know is we shot these other stories, you know... out of sequence. Travis came at the very end, so we had to figure out a way to weave it into episode two, weave it into episode four. We knew we really wanted that in to serve as thematic connection to Tanya's story.

How do we spend less time on these things is what we've realized. It's exhausting. It's worth it, though.

How do we spend less time on these things is what we've realized. It's exhausting. It's worth it, though.

How do we spend less time on these things is what we've realized. It's exhausting. It's worth it, though.