Jessica Johannesson Gaetan

And Beth is now one of the editors as well.

How was the process of submissions for that very first issue?

Were you nervous at all that you weren't going to get any submissions?

Were you surprised at how many submissions you did get?

Just tell us a bit about that.

And this might actually be a good point to just point out that all of you are obviously doing this on your free time, so to speak.

You all have different things that you do.

It's actually quite special just to have.

two of the editors with us today, because you all live in different places.

Annie is heading off back to Germany in just a couple of days.

And with that in mind, I just wanted to ask, what does an editorial meeting with four of us look like?

This is the time where we have the edited version.

That's what I was thinking, that you guys must really have sort of formed relationships with every single piece in every issue, in every magazine.

That's wonderful.

And that was a lovely thing.

Speaking of which, could we maybe hear another poem?

So which issue is this from?

So, Keris, you were just reading this from a printed copy, a print copy of the magazine, actually.

And it does seem like, I mean, you are sort of moving in some way towards a print form or doing some print, but it remains very much handmade, very much hand-bound and in very limited editions.

Right.