Jia Tolentino

Yeah. I mean, and I just really can't underscore enough. Why is Rick there the next morning?

Yeah. I mean, and I just really can't underscore enough. Why is Rick there the next morning?

It's like the hugest plot hole, we must say, of like, oh, I tried to kill the guy that owns this hotel, but I'm just going to spend a nice, relaxing night, leisurely breakfast here.

It's like the hugest plot hole, we must say, of like, oh, I tried to kill the guy that owns this hotel, but I'm just going to spend a nice, relaxing night, leisurely breakfast here.

I feel like there's some sort of implicit blame being placed on Amrita here who's like, sorry, I really have to do this therapy session that this kid doesn't even want, you know.

I feel like there's some sort of implicit blame being placed on Amrita here who's like, sorry, I really have to do this therapy session that this kid doesn't even want, you know.

You're presenting an acute mental crisis. You're shaking and sweating and on the brink of tears.

You're presenting an acute mental crisis. You're shaking and sweating and on the brink of tears.

Like she could have been like, Zion, can you wait seven minutes? I just need to talk to this man that's on the brink of murder.

Like she could have been like, Zion, can you wait seven minutes? I just need to talk to this man that's on the brink of murder.

But then Chelsea comes running, you know, she's finished her donut and and she's and he's like, go away. I'm in snake mode.

But then Chelsea comes running, you know, she's finished her donut and and she's and he's like, go away. I'm in snake mode.

For me, I was giving OC, Ryan and Marissa. You guys know what I'm talking about?

For me, I was giving OC, Ryan and Marissa. You guys know what I'm talking about?

He's kind of doing this death walk. He's not looking for help. Like, he knows she's dead. Like, that's not—he's staggering as slow as a person could ever walk.

He's kind of doing this death walk. He's not looking for help. Like, he knows she's dead. Like, that's not—he's staggering as slow as a person could ever walk.

Yeah.

Yeah.

Yeah. And then in the process, like Guy Tuck is having his own test of like, am I going to kill this man? Yeah. And choose the way of violence, and in doing so, get money and the girl, and be unhappy with myself forever, but have sunglasses and a black top, which signifies worldliness, which he does. I know.

Yeah. And then in the process, like Guy Tuck is having his own test of like, am I going to kill this man? Yeah. And choose the way of violence, and in doing so, get money and the girl, and be unhappy with myself forever, but have sunglasses and a black top, which signifies worldliness, which he does. I know.