John Huertas

I thought he was gonna look at me like, John, come back over there to the chair. But he was very, very, very open.

I thought he was gonna look at me like, John, come back over there to the chair. But he was very, very, very open.

I've been on a show where it was like that. Really? A couple times on Castle. Why is this? And this director would ask me, hey, can you try this? And it's something I know I just did. But they obviously, you know, because sometimes when you're directing, I will say this, you know, you've got three actors on, you know, it's a wide shot, right? You've got three actors.

I've been on a show where it was like that. Really? A couple times on Castle. Why is this? And this director would ask me, hey, can you try this? And it's something I know I just did. But they obviously, you know, because sometimes when you're directing, I will say this, you know, you've got three actors on, you know, it's a wide shot, right? You've got three actors.

I've been on a show where it was like that. Really? A couple times on Castle. Why is this? And this director would ask me, hey, can you try this? And it's something I know I just did. But they obviously, you know, because sometimes when you're directing, I will say this, you know, you've got three actors on, you know, it's a wide shot, right? You've got three actors.

And I'm watching, you know, I might watch one actor. I'm focusing on this one because this is like kind of the fulcrum of the scene or whatever. So I'm watching this, and then I might, you know, and then... I would say that maybe when I would be like, why is this person walking up on me is because I know that they probably weren't paying attention to what I was doing.

And I'm watching, you know, I might watch one actor. I'm focusing on this one because this is like kind of the fulcrum of the scene or whatever. So I'm watching this, and then I might, you know, and then... I would say that maybe when I would be like, why is this person walking up on me is because I know that they probably weren't paying attention to what I was doing.

And I'm watching, you know, I might watch one actor. I'm focusing on this one because this is like kind of the fulcrum of the scene or whatever. So I'm watching this, and then I might, you know, and then... I would say that maybe when I would be like, why is this person walking up on me is because I know that they probably weren't paying attention to what I was doing.

And now they're saying, try this. And you did that already. And I did that already. And then I'd be like, so they'd walk away and I'd turn to the guy who played my partner, Seamus. I'd be like, I'm gonna do the same shit. And I would do it. And then I'd yell behind the camera. How was that? Was that what you were looking for? That was perfect, John. Thanks. And I'd look at Seamus like...

And now they're saying, try this. And you did that already. And I did that already. And then I'd be like, so they'd walk away and I'd turn to the guy who played my partner, Seamus. I'd be like, I'm gonna do the same shit. And I would do it. And then I'd yell behind the camera. How was that? Was that what you were looking for? That was perfect, John. Thanks. And I'd look at Seamus like...

And now they're saying, try this. And you did that already. And I did that already. And then I'd be like, so they'd walk away and I'd turn to the guy who played my partner, Seamus. I'd be like, I'm gonna do the same shit. And I would do it. And then I'd yell behind the camera. How was that? Was that what you were looking for? That was perfect, John. Thanks. And I'd look at Seamus like...

Yeah, and that's the thing. You don't want to be the one bogging it down. And that's why I always say to directors that are coming from behind the camera or coming from the editing bay, I'm like, yo, man, have you taken an acting class? because it would be really beneficial if you knew our language.

Yeah, and that's the thing. You don't want to be the one bogging it down. And that's why I always say to directors that are coming from behind the camera or coming from the editing bay, I'm like, yo, man, have you taken an acting class? because it would be really beneficial if you knew our language.

Yeah, and that's the thing. You don't want to be the one bogging it down. And that's why I always say to directors that are coming from behind the camera or coming from the editing bay, I'm like, yo, man, have you taken an acting class? because it would be really beneficial if you knew our language.

So if you want to get something from an actor to understand how to ask them for it, instead of saying like, you know, can you do it again? But maybe this time, I don't know.

So if you want to get something from an actor to understand how to ask them for it, instead of saying like, you know, can you do it again? But maybe this time, I don't know.

So if you want to get something from an actor to understand how to ask them for it, instead of saying like, you know, can you do it again? But maybe this time, I don't know.

Because faster is a trigger word.

Because faster is a trigger word.

Because faster is a trigger word.