John Summit

A thousand percent.

A thousand percent.

A thousand percent.

no literally i mean when i did like shiver i got to like version which is like one of my big records i got to version 27 and i kept sending it to people like dude we literally can't tell the difference like what are you doing right i'm just like you know running in circles basically ship it whenever you put together a song have you ever accidentally dropped the beat at the wrong point uh you had to like move it like shit well i mean i fuck up all the time yeah but i'm good at covering my fuck what are you talking about when i'm djing no no when you're actually writing a song do you have you ever moved where you put where you drop the beat like that didn't work

no literally i mean when i did like shiver i got to like version which is like one of my big records i got to version 27 and i kept sending it to people like dude we literally can't tell the difference like what are you doing right i'm just like you know running in circles basically ship it whenever you put together a song have you ever accidentally dropped the beat at the wrong point uh you had to like move it like shit well i mean i fuck up all the time yeah but i'm good at covering my fuck what are you talking about when i'm djing no no when you're actually writing a song do you have you ever moved where you put where you drop the beat like that didn't work

no literally i mean when i did like shiver i got to like version which is like one of my big records i got to version 27 and i kept sending it to people like dude we literally can't tell the difference like what are you doing right i'm just like you know running in circles basically ship it whenever you put together a song have you ever accidentally dropped the beat at the wrong point uh you had to like move it like shit well i mean i fuck up all the time yeah but i'm good at covering my fuck what are you talking about when i'm djing no no when you're actually writing a song do you have you ever moved where you put where you drop the beat like that didn't work

No, of course. And then, like, you just try different things. And that's, like, how you stay interesting in dance music is when you bring in the drops and stuff when people don't expect it. So we call that happy little accidents. Oh. When you, like, deal a little fuck up and you're like, wait, this actually kind of works.

No, of course. And then, like, you just try different things. And that's, like, how you stay interesting in dance music is when you bring in the drops and stuff when people don't expect it. So we call that happy little accidents. Oh. When you, like, deal a little fuck up and you're like, wait, this actually kind of works.

No, of course. And then, like, you just try different things. And that's, like, how you stay interesting in dance music is when you bring in the drops and stuff when people don't expect it. So we call that happy little accidents. Oh. When you, like, deal a little fuck up and you're like, wait, this actually kind of works.

Yes, I'm doing things. How much stuff are you doing? Well, it depends, right? So it's like you can be doing three to four tracks at once.

Yes, I'm doing things. How much stuff are you doing? Well, it depends, right? So it's like you can be doing three to four tracks at once.

Yes, I'm doing things. How much stuff are you doing? Well, it depends, right? So it's like you can be doing three to four tracks at once.

And you have extra layering and stuff like that too. But it depends like what kind of set I'm doing. If I'm doing like a club set, I don't come in there with any single game plan whatsoever. Okay. So I guess it would be kind of, I'm trying to dumb it down as much as possible right now.

And you have extra layering and stuff like that too. But it depends like what kind of set I'm doing. If I'm doing like a club set, I don't come in there with any single game plan whatsoever. Okay. So I guess it would be kind of, I'm trying to dumb it down as much as possible right now.

And you have extra layering and stuff like that too. But it depends like what kind of set I'm doing. If I'm doing like a club set, I don't come in there with any single game plan whatsoever. Okay. So I guess it would be kind of, I'm trying to dumb it down as much as possible right now.

Like if I was just, if you were to show up to like a Vegas nightclub and I hand you the ox, I'd be like, yo, play for the next three hours. Right. But then you have to actually smoothly blend everything together. Make sure it's all in key. Make sure the phrasing, everything's right. Right. And you can get creative with it. Cause I had extra acapellas on top. I cut out, you know, the base and stuff.

Like if I was just, if you were to show up to like a Vegas nightclub and I hand you the ox, I'd be like, yo, play for the next three hours. Right. But then you have to actually smoothly blend everything together. Make sure it's all in key. Make sure the phrasing, everything's right. Right. And you can get creative with it. Cause I had extra acapellas on top. I cut out, you know, the base and stuff.

Like if I was just, if you were to show up to like a Vegas nightclub and I hand you the ox, I'd be like, yo, play for the next three hours. Right. But then you have to actually smoothly blend everything together. Make sure it's all in key. Make sure the phrasing, everything's right. Right. And you can get creative with it. Cause I had extra acapellas on top. I cut out, you know, the base and stuff.

Right. You know?

Right. You know?