John Sweetman

Yeah.

Well, I only mentioned that earlier.

Yeah.

Oh, did you?

Yeah.

That one came out today and Catherine Evan last week.

You didn't even know that?

I didn't even know that, no.

Yeah, but like what I'm finding with these ones, I'm as invested in it as maybe listeners are because I'm sitting down and I'll record for a while, maybe take a break after the first act and I'm like, geez, this is really good, like, you know, and I'm finding out things that I didn't know about them.

Are you surprised that the Irish public have such an appetite for stuff like that?

Oh, it's mad, like, I mean, I...

I'm the same.

Like I say, I don't listen to podcasts much, but more often than not, if I'm watching stuff on the telly, it's, you know, documentary true crimes.

Like I'm watching stuff at the moment about, you know, a plane that was shot down or something like that and the investigation into that.

I think it's just people are fascinated with the whole procedure part of it.

They're also, you know, kind of morbidly fascinated with terrible things that people do to each other.

And I've said it before when people ask me, like, I mean, I think there's also part of it that it's somewhat comforting that if you're sitting down at home with a fucking dinner in front of you or sitting there a few cans and you're watching something terrible that's been done to somebody.

And then you can turn it off and say, thank Christ that's not me.

Or anybody that I know.

Yeah.