Jordan Klepper

But what's curious is I believe Melania had final cut over this, which is also interesting when you talk to people at the Melania event where so many people are like, I want to know who she really is.

It's like, oh, yeah, you want an objective look.

We talked to somebody who didn't even make the final piece.

Yeah.

They're like, I just want an objective look at Melania Trump.

It's like, right.

And she did have final say.

And they're like, exactly.

And she has to, so she could speak her mind.

It's like, that's not this objective look.

But there is something about how somebody wants to be presented.

And I'm sure Melania, I'm sure she wasn't all in on the edit bay very often on this.

Push in.

But I don't doubt, some of the critics have talked about how it's like a commercial, it's propaganda, there's not a lot of depth.

And I think there's a curiosity of,

I would not imagine many people in the Trump administration would desire creating a three-dimensional character that has weaknesses or nuance.

The film critics who approach films from an artistic standpoint, great literature or film often...

paints a picture of a human being who is three-dimensional, who is complicated, who has weaknesses and strengths, and therefore the human experience is one of a balance between frailty and confidence, ability and the inability to achieve the things which you want.

That, I think from an artistic standpoint, tends to be a gold standard of how you articulate the human experience.

It would be curious to watch this film, which is being articulated by