Jorma Taccone

Yeah, who we used again. What did we use Aaron Platt? It was Aaron Platt. And we used him again on something more recent. Oh, you know what he did? When we did a reshoot on Popstar, when we were getting additional stuff for videos, he shot like the Emma Stone music video on Popstar, right?

Yeah, who we used again. What did we use Aaron Platt? It was Aaron Platt. And we used him again on something more recent. Oh, you know what he did? When we did a reshoot on Popstar, when we were getting additional stuff for videos, he shot like the Emma Stone music video on Popstar, right?

Nice guy, fun dude. Yes. And could really shoot. Keeve specifically, I believe, had asked him to make it feel really frenetic and crazy. Yes. And he was doing this trick while he was shooting footage where he was popping the lens in and out. Which is great. He was popping it off of the camera. Yes.

Nice guy, fun dude. Yes. And could really shoot. Keeve specifically, I believe, had asked him to make it feel really frenetic and crazy. Yes. And he was doing this trick while he was shooting footage where he was popping the lens in and out. Which is great. He was popping it off of the camera. Yes.

Nice guy, fun dude. Yes. And could really shoot. Keeve specifically, I believe, had asked him to make it feel really frenetic and crazy. Yes. And he was doing this trick while he was shooting footage where he was popping the lens in and out. Which is great. He was popping it off of the camera. Yes.

So I just have this vivid memory, Keith, correct me if you feel this is different, of going in there the first day of looking at the footage. We shot it on an off week, and then top of the week of SNL, we started cutting at 30 Rock. and going in and looking through the footage and being like, we can't make the video. It's all just fucking flares. There's no fucking footage.

So I just have this vivid memory, Keith, correct me if you feel this is different, of going in there the first day of looking at the footage. We shot it on an off week, and then top of the week of SNL, we started cutting at 30 Rock. and going in and looking through the footage and being like, we can't make the video. It's all just fucking flares. There's no fucking footage.

So I just have this vivid memory, Keith, correct me if you feel this is different, of going in there the first day of looking at the footage. We shot it on an off week, and then top of the week of SNL, we started cutting at 30 Rock. and going in and looking through the footage and being like, we can't make the video. It's all just fucking flares. There's no fucking footage.

I don't have a take of the jokes, of the lines. I can't see anyone's face when we're saying the fucking lines. Like, super in a spiral. And I remember being like, looking at it with you, being like, okay, calm down, I'm sure it's fine. And then looking with you and being like, oh shit. There's not a lot of options here.

I don't have a take of the jokes, of the lines. I can't see anyone's face when we're saying the fucking lines. Like, super in a spiral. And I remember being like, looking at it with you, being like, okay, calm down, I'm sure it's fine. And then looking with you and being like, oh shit. There's not a lot of options here.

I don't have a take of the jokes, of the lines. I can't see anyone's face when we're saying the fucking lines. Like, super in a spiral. And I remember being like, looking at it with you, being like, okay, calm down, I'm sure it's fine. And then looking with you and being like, oh shit. There's not a lot of options here.

And Keeve, bless your heart, grinded that fucking edit from Monday till Saturday.

And Keeve, bless your heart, grinded that fucking edit from Monday till Saturday.

And Keeve, bless your heart, grinded that fucking edit from Monday till Saturday.

It took a lot longer to edit than other things.

It took a lot longer to edit than other things.

It took a lot longer to edit than other things.

Pulling tiny little moments from every single moment. When you see the finished product, you would never know it because it's so high energy and dope. And in the end, I'm actually glad it was shot that way because it gives it this freneticism that is fucking incredible.

Pulling tiny little moments from every single moment. When you see the finished product, you would never know it because it's so high energy and dope. And in the end, I'm actually glad it was shot that way because it gives it this freneticism that is fucking incredible.

Pulling tiny little moments from every single moment. When you see the finished product, you would never know it because it's so high energy and dope. And in the end, I'm actually glad it was shot that way because it gives it this freneticism that is fucking incredible.