Jorma Taccone

Yeah, it's so different.

Yeah, it's so different.

Yeah, it's so different.

Yeah.

Yeah.

Yeah.

It just made it much more difficult.

It just made it much more difficult.

It just made it much more difficult.

But it was like, if you are seeing a shot in that video, there is no second option of that shot that was usable.

But it was like, if you are seeing a shot in that video, there is no second option of that shot that was usable.

But it was like, if you are seeing a shot in that video, there is no second option of that shot that was usable.

That's what it really was. You're just seeing all the parts and it worked and we got lucky or whatever you want to call it. And he did a great job. But yes, there were moments where it was like, there's a lot in here that the shot we planned is not the shot that's in. Because I'd go to the shot that was planned for whatever it is, like holding champagne.

That's what it really was. You're just seeing all the parts and it worked and we got lucky or whatever you want to call it. And he did a great job. But yes, there were moments where it was like, there's a lot in here that the shot we planned is not the shot that's in. Because I'd go to the shot that was planned for whatever it is, like holding champagne.

That's what it really was. You're just seeing all the parts and it worked and we got lucky or whatever you want to call it. And he did a great job. But yes, there were moments where it was like, there's a lot in here that the shot we planned is not the shot that's in. Because I'd go to the shot that was planned for whatever it is, like holding champagne.

And I'd go, oh, all of them are out of focus. We can't do the shot of champagne. And then slowly, as we went through all of it, we would find a different take that was rad at that moment.

And I'd go, oh, all of them are out of focus. We can't do the shot of champagne. And then slowly, as we went through all of it, we would find a different take that was rad at that moment.

And I'd go, oh, all of them are out of focus. We can't do the shot of champagne. And then slowly, as we went through all of it, we would find a different take that was rad at that moment.

And there was a second part of it, too, which was there'd be tons of setups where all of a sudden you'd be like, oh, here we go. Here we go. It's clear. We can see. And then the boat would rock and one of us would fall super hard.

And there was a second part of it, too, which was there'd be tons of setups where all of a sudden you'd be like, oh, here we go. Here we go. It's clear. We can see. And then the boat would rock and one of us would fall super hard.