Joscha Bach

loving other people and being loved by other people and building a space in which you can be safe and can experiment and touch a lot and be close to somebody a lot. And over time, basically at some point you realize, oh, it's no longer... that I feel locked out, but I feel connected and I experience where somebody else is at.

And normally my mind is racing very fast at a high frequency, so it's not always working like this. Sometimes it works better, sometimes it works less. But I also don't see this as a pressure. It's interesting to observe myself, which frequency I'm at and at which mode somebody else is at.

And normally my mind is racing very fast at a high frequency, so it's not always working like this. Sometimes it works better, sometimes it works less. But I also don't see this as a pressure. It's interesting to observe myself, which frequency I'm at and at which mode somebody else is at.

And normally my mind is racing very fast at a high frequency, so it's not always working like this. Sometimes it works better, sometimes it works less. But I also don't see this as a pressure. It's interesting to observe myself, which frequency I'm at and at which mode somebody else is at.

At stage five, you discover how identity is constructed. You realize that your values are not terminal, but they are instrumental to achieving a world that you like and aesthetics that you prefer. And the more you understand this, the more you get agency over how your identity is constructed. And you realize that identity and interpersonal interaction is a costume.

At stage five, you discover how identity is constructed. You realize that your values are not terminal, but they are instrumental to achieving a world that you like and aesthetics that you prefer. And the more you understand this, the more you get agency over how your identity is constructed. And you realize that identity and interpersonal interaction is a costume.

At stage five, you discover how identity is constructed. You realize that your values are not terminal, but they are instrumental to achieving a world that you like and aesthetics that you prefer. And the more you understand this, the more you get agency over how your identity is constructed. And you realize that identity and interpersonal interaction is a costume.

And you should be able to have agency over that costume. It's useful to be a costume. It tells something to others and allows to interface in roles. But being locked into this is a big limitation.

And you should be able to have agency over that costume. It's useful to be a costume. It tells something to others and allows to interface in roles. But being locked into this is a big limitation.

And you should be able to have agency over that costume. It's useful to be a costume. It tells something to others and allows to interface in roles. But being locked into this is a big limitation.

In some sense, I learned a lot about costumes at Burning Man. Before that, I did not really appreciate costumes and saw them more as uniforms. Like, wearing a suit, if you are working in a bank or if you are trying to get startup funding from a VC in Switzerland, then you dress up in a particular way.

In some sense, I learned a lot about costumes at Burning Man. Before that, I did not really appreciate costumes and saw them more as uniforms. Like, wearing a suit, if you are working in a bank or if you are trying to get startup funding from a VC in Switzerland, then you dress up in a particular way.

In some sense, I learned a lot about costumes at Burning Man. Before that, I did not really appreciate costumes and saw them more as uniforms. Like, wearing a suit, if you are working in a bank or if you are trying to get startup funding from a VC in Switzerland, then you dress up in a particular way.

And this is mostly to show the other side that you are willing to play by the rules and you understand what the rules are. But there is something deeper. When you are at Burning Man, your costume becomes self-expression and there is no boundary to the self-expression.

And this is mostly to show the other side that you are willing to play by the rules and you understand what the rules are. But there is something deeper. When you are at Burning Man, your costume becomes self-expression and there is no boundary to the self-expression.

And this is mostly to show the other side that you are willing to play by the rules and you understand what the rules are. But there is something deeper. When you are at Burning Man, your costume becomes self-expression and there is no boundary to the self-expression.

You're basically free to wear what you want, to express other people what you feel like this day and what kind of interactions you want to have.

You're basically free to wear what you want, to express other people what you feel like this day and what kind of interactions you want to have.

You're basically free to wear what you want, to express other people what you feel like this day and what kind of interactions you want to have.

That's very hard to say because the costume also depends on what other people see in the costume. And this depends on the context that the other people understand. And you have to create something, if you want to, that is legible to the other side. And that means something to yourself.