JP Fatta

We know that the money is going to come once we develop something that creates a new content category into a market, number one.

And number two, really, for the first time, favors the publishers.

I keep saying that because the whole focus of the company, having gone through this rite of passage, having been involved in the industry for a number of years, having seen what's being done, creators don't have an opportunity to do what they love, which is actually create content for the rest of their lives.

Most of them are not business savvy.

So they end up giving away entitlements and ownership and control of the pie to every intermediary that comes

And a lot of times it's exploited, right?

Yeah, Patreon is a great crowdsource mechanism.

tipping donations and actually prepaying for publications.

That's one piece of it, right?

Which is one piece.

With us, we have a flexible monetization system because not all content is monetized equally.

You can monetize it with ad revenues so you can get free content.

You can monetize it with VOD or pay-per-view.

Right.

Rentals, downloads.

You can monetize it with SVOD, which is subscription based revenues.

If you're a large enough network or broadcaster that you have multiple channels and multiple pieces of content, and then you can use the crowdsource approach to tipping and donations.

So where we're different in a lot of people is the tools that you get, number one, to package your content.

The distribution plot that we put together, which is going to be streaming, is one umbrella ecosystem and all of the different monetization and marketing promotional tools that you get.

And in addition to that, supportive services the company will do from branded entertainment, product placement, revenue analysis, and working with our publishing partners to maximize their revenue potential.