Julia Alexander

speaker
609 appearances 3 recordings 3 series first heard Nov 2025 last heard 11 Jun

Julia Alexander’s voice in public audio — every appearance, attributed to the second.

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recordings per month · last 12 months
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Recordings per month over the last 12 months — 3 in all, peaking in Jun 2026 with 1.

Appearances

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the Roald Dahl library for about $750 million, $800 million, versus, again, the Paramount side where the cool has been gone for years, for decades.
And so, again, it just feels like Netflix seems to have a better plan.
How much they stick to, to your point, we don't know.
How much they actually stick to beyond what they're contractually obligated to stick to, who knows?
But the fact that they...
have the big movies and the big TV shows, and they're the number one premium streamer, I think really does do a lot for shareholders.
It's two names, and they are heavily related to entertainment in a way that Hollywood detests, and it's Neil Mohan and Sam Allman.
And at this point, Netflix is cool because Netflix has proven that it's committed to, maybe not theatrical, but committed to filmmakers, right?
They took on The Irishman, the big Martin Scorsese movie when no one else would do it.
They're obviously committed to the television side of the equation, and they produce a lot of really great TV.
No one's ever doubted that.
At the same time, when they first came in and they were the disruptors and they were disrupting the theatrical model and kind of how writers and actors are getting paid on the TV side of the equation, it was scary because people don't like change and Hollywood is especially antiquated in its approach to things.
And so they especially don't like change.
And then at the same time, you know, Netflix hit 10 years, 11 years of producing original content proved itself.
At the same time that Sam Altman came in and was like, we're going to take people's likeness and we're just going to let people do what they want.
And the next Star Wars movie is going to come out of Sora 2 or whatever.
And Neil Mohan is going out and saying, by the way, television is YouTube.
We're premium content.
Our creators make premium content.
We make up the vast majority of engagement on TV sets.
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