Kane Parsons

detail at every single level and they're going to dig into everything and they're going to take the entire series uh play it forwards and then play it entirely backwards in reverse and they're going to overlap and then at these exact moments events need to line up and create a second message um sort of like the stuff people go crazy with with uh you know dissecting the shining and stuff just applied to everything um

And so I think that I just got into a habit of really trying to bring that level of meticulous art direction to what I was doing on YouTube.

And so when we are scaling to this film, again, that was a gradual process.

For all of the grandiose spectacle around the way this could be described or is being described in the media and whatnot, from my perspective,

I've been doing this thing pretty solo for a while online.

People reach out.

I start talking to them over Zoom.

I never meet them in person.

We're just talking like usually once a week or so or every now and then.

Some scripts start getting made.

I start talking with the writer.

I have like a couple hour phone calls every couple weeks.

We try a few different versions.

We try working with another writer.

Same process, like stay on the phone for a couple hours and then we're building.

It goes off, writes a script.

We get a draft.

phone call notes another draft people like that we want to start green lighting it um when i go to vancouver it's just me i mean that's a big move i'm like i i am physically going there and it's just a bunch of people who i've been able to text with a little bit so far but it's like

Eight main people.

I mean, there's a lot of people, but it's like, you know, really just like a single small ish room full of people who are just kind of on a similar wavelength to what I was already doing.