Kathleen Hanna
speaker
68 appearances
2 recordings
2 series
first heard Dec 2024
last heard Mar 2025
Kathleen Hanna’s voice in public audio — every appearance, attributed to the second.
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Appearances
I really need a beach house in Malibu, and feminist art pays so well.
that I just figured, you know, go for the millions. I mean, clearly with everything going on in the world, we are just like kind of reinvigorated to sing the songs again.
It just felt like the right time. You know, I didn't want to sing these songs 15 years ago and I really want to sing them again now. They feel really like it feels good physically to sing them on stage.
Yeah, I got the part of Annie in the musical Annie.
Well, what actually happened was a woman who had a son who went to the school complained that it was sexist, that there weren't very many parts for boys in it. So the play actually ended up being a really horrible mashup of Annie and Oliver. Also, you know, about orphans, I guess they were like, let's do a boy orphans and girl orphans. Wow.
He was like two feet tall, and I was like four foot eight, so I really felt like it was not a fair fight.
And he was a very cute, sweet kid, and he made everybody cry with that dumb Where Is Love song. Where Is Love.
Oh, I do it all the time.
I can't do it with earplugs. Let's see. The sun will come out.
I just drove here from Hershey park, Pennsylvania. I was, I was on a roller coasters for like 10 hours. So I'm sort of like fried.
Oh, yeah. No, we don't play venues that big.
Thank you very much.
Yeah, of course. You know, I went to ride the Super Duper Looper again because I rode it when I was like 10. And so I took my son so he could ride it. And he loves roller coasters. He's an enthusiast.
It's a nice park. It's a nice park.
Thank you. Thank you.
Thank you.
You know, kind of B versions of the Sex Pistols, you know, straight white guys who are like, I'm going to spit on you. And it just was like a lot of toxic masculinity disguised as radicalness.
We're Bikini Kill, and we want revolution! Grrrl don't die!
This is from the prologue. I want to tell you how I write songs and produce music. How singing makes me feel connected to a million miracles at once. How being on stage is the one place I feel the most me. But I can't untangle all of that from the background that is male violence. I wish I could forget the guy who stalked me while I was making my solo record.
How he sat on the roof of the building across from mine and looked into my windows with binoculars as I worked. How he told my neighbors he thought I was a prostitute who needed to be stopped. I wish I could slice him out of my story as a musician, but I can't. I also don't want this book to be a list of traumas, so I'm leaving a lot of that on the cutting room floor.
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