Kim Rosenstock
speaker
45 appearances
1 recordings
1 series
first heard Apr 2025
last heard Apr 2025
Kim Rosenstock’s voice in public audio — every appearance, attributed to the second.
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Appearances
Yeah, I mean, I was going to say also, like, all of Kim and my sort of stress about everything, it just... Kind of disappeared once we got onto set because I think there's so many conversations that you can have about a moment. And then when it's on Michelle Williams' face, all of the stress disappears because you're like, well, that's completely clear.
Like that is an actress playing seven things at once and in the best way. Right. And Jenny just, I mean, Jenny read that scene for us. We did like a chemistry read and I was crying in the back of the room. You know, it was kind of like Jenny is incredible in that way of being able to riff and then bring it back. And like this like very funny scene.
really nimble actress who can kind of navigate really tricky tones and stuff. So anyway, I will say, like, yes, we banged our head against the wall sometimes, but those two actresses were everything for us and for the show, you know?
Yeah, no, for me, yeah.
private usually yeah we had an intimacy coordinator it was really helpful to give like a framework I mean at every stage not just the filming of the sex scenes we were like talking about the writing of it and just the crew as we were shooting it like there were just conversations all the time about everybody being able to be there in whatever way felt the most comfortable for them and
But, yeah, I mean, I was very aware of the sex scenes needing to be truthful, kind of hot, you know, when they need it to be. And also moving story forward as opposed to kind of just being there as a little break from the story. Also, just in the actual filming of them, I think it was important to Kim and I that they felt really human and really, like...
The comedy doesn't come from making fun of these characters and what they're doing. The comedy comes from human beings trying to figure themselves out in the moment in that way. sex is very funny. It doesn't mean it's not hot or interesting. It's also just very human and funny and things make weird noises and people look strange from different angles.
And, you know, I think it was just, we tried to kind of be aware of that when we were shooting, like that we weren't going to shoot it in the same way that I feel like every time I saw a sex scene growing up, it was, like, two people kissing, and then it would, like, the camera, like, pans off of them and, like, pans back into that, you know?
Or it's just, like, everything is glowy and in a beautiful light. And then when you actually have sex, you're like, where's that? Where's my beautiful light? Yeah. There's been some times where I've been like wishing that the camera would pan away, like metaphorically, whatever.
making it um and she was so non-judgmental i mean molly was so incredible in that way and i i think it was so important to us that we went into everything with that feeling of like we're not making fun of people's desires we're making we're just living in the moment and the full humanity of it and the silliness of it and the the joy of it and i think i I mean, I really wanted it to be hot, too.
I wanted to find a way that all of that could also be very hot and fun.
I think it was more just really based on the character and what had gone on with Molly. Because I think Molly loved lingerie. Molly loved to kind of, like, perform while she was having these moments with these guys. And so it actually felt right in this framework of her being in the more, you know, top or sort of dom position and the man being more submissive.
It felt right that there was male nudity and not female nudity. But... Yeah, I mean, it's a show about bodies.
Yeah, for me, I think I was really into the relationship between Michelle and Rob Delaney, who's kind of a character that we it's a composite of a few of the guys from the podcast. But I'm just a huge like rom-com nerd, I guess. Yeah. I loved their relationship and it felt so kind of like new to me. Like I haven't seen that on television.
And the sort of big scene that we're building towards the two of them.
Yeah. Just shooting it, it was just so emotional for me. I don't know, as a writer, you just have these moments where you're like, I can't believe all of these people came together to do this thing, to tell this story. I had that kind of emotional moment on set when we were shooting that.
Yeah. I mean, there's also like a lot of wild, crazy moments. Like what?
I mean, we did the scene that's from the podcast where she pees on a guy. So we like shot, you know, a scene where she was peeing on him in a bathtub and like she had a rig taped to her leg. And what's really great about production is that All of these kind of airy fairy ideas that you have get sort of boiled down to like a couple conversations about the color of the fake pee.
They're highly technical. It didn't look like pee enough and like where the stream of it was. To be accurate from where she was standing.
Yeah. And then you're just like, I can't believe that like I'm doing this.
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