Kris Renee Hazlitt

No, you know, doing this, doing whatever.

They'll be like, Mommy, why did you miss that?

Mommy, do you play basketball?

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Do you know what I'm going to do?

I'm going to pull out what you already have inside.

Talking about obstacles and being optimistic, you are a very optimistic person and talking about your getting out of a record deal and you deciding that you didn't want any more 360 deals.

Can you explain to the people listening what a 360 deal is in the music industry and why you didn't want to sign that?

At the time, it was very new.

360s are very prevalent right now.

At the time, I had so much leverage that I think, you know, the labels was just trying to get me on the roster at this time.

But a 360 deal was created, I don't know, maybe 15 years ago.

It's basically for artists that

make a stream of income outside of it may have to do with music but say for instance like you get paid for like a pepsi commercial the label gets a percentage of that now what happened what used to happen is

And I understand both ways, really.

When I think about art, a label gives you some money to put you on, you shoot a video, somebody says, I like this guy, and they give you a million dollars, and the label's like, bro, you wouldn't even know this person if we didn't shoot it.

So then labels figured out a way to get paid off of artists generating sponsorships and stuff like that.

This was on my first deal.

I just had a deal that

you only can really do when you have leverage you just can't go right now if i had to do a deal i'm independent right now but if i went back and got a deal with a major i'm i'm positive they'll be like we this is how it goes yeah we need that yeah