Laura Smyth

I love it.

If I won the Amaze House, that's the only thing I'd still do.

I'm going to be the podcast with her, mate.

Well, I'd say I've done a few work in progress.

I'd say it's sort of 60, 70% there, but...

The difference between writing scripts or doing things like that is like you could only really... And I think this is why I get frustrated with you not carrying on stand-up.

You can only really write on stage.

You can have an idea.

You have an idea and you write a bit and sometimes you think you've got a really long bit and actually through the performing of it, it edits down to a set-up, knock-down gag.

And then sometimes you think you've got a set-up, knock-down gag and actually you go...

one night when the going's good, all of a sudden it extends into this long bit.

So you kind of really, it's such a performance shaped art form.

So it's not like sit down and write a tour.

I know where it's going and it's just like...

And I think, you know, it's like as a mom and you're married and you're working, things occur to you all the time.

Yeah.

In the same way our pod is like shouldn't laugh.

But, you know, life happens to you.

And the minute you go, actually, you know, the minute you phone up a mate and tell them, you're like, actually, that's quite funny.

That's actually really funny.