Mallory Rubin

And I think either of those would work.

It's an interesting area of examination that is just simply, like, not fully teased out.

You mentioned that I don't want to be a Messiah moment, and I thought that was really emblematic of how this wasn't fully baked, because Terry—I think her name is Terry, one of Hugo's team members who left—

And seeing Margaret, who goes around and says all of their names, not that they needed more proof at that point, but proving her power to them, right, kneels down and grasps her hand.

And we have had these conversations between Jane and Daniel.

We have the Jane-Sister Mara conversation.

None of it aligns with the end of the movie.

I think the questions that the movie is asking about doubt and varying responses are appropriate to ask.

But the movie ends in a place of uniformity and consensus.

And, like, widespread credulity.

Exactly.

So it doesn't just coalesce in that respect.

I did...

I read this.

I read this.

There's a really good Vox piece from Dylan Scott that basically just outlines and like we should say, I haven't said a couple things here.

Part of the backdrop of this movie is like World War III is about to break out.

Right.

So there's that too.

On the brink.