Mallory Rubin

And the youngest son is just like on your own kid, you know, sort of thing.

And so this idea that like, it's almost like a,

a populist, almost democratic thing of, like, the one who isn't really part of the aristocracy, the one who's, like, closest to the people is the one who's going to be, like, more pure of spirit and noble of heart.

And I'm not saying Lestat is, like, compared to his, like, knuckle-dragger brothers, yes, but, like... Right.

But what is this dark fairy tale that we are experiencing?

And how does, you know, Lestat, who will be chosen for the dark gift and all that sort of like, what perverted, twisted storyteller are we watching that the youngest son, who usually meets like an enchantress who bestows, you know, upon him gifts and stuff like that,

is going to be turned into a vampire.

How is that interacting with our ideas of what a fairy tale is?

And how does Lestat think about his own making in that way?

Is it a gift?

Is it a curse?

What is it at the end of the day?

Gabrielle and the Hunt is pretty fun.

Gabrielle and not a huge fan.

But when she's talking to that guy and he's like, oh, you're Italian.

There's this great Italian restaurant.

She's like, do they have spaghetti?

So funny.

Hysterical.

Ominous warning siren.