Mark Mothersbaugh

Well, I don't know.

Yeah, he did that.

Then we kind of made fun of it.

Well, I mean, you know, I remember he had this one deck that was like his deck of oblique strategies, but there was all, and he was like trying to give them to us.

But I remember one day before he got in, where we recorded was at Connie Plank's studio in Neunkirchen, Germany.

And it was a studio that Eno liked a lot.

But the recording studio was in a converted pigsty.

It was a barn.

It was a barn, yeah.

And there were like sheep outside and things like that.

But I remember I took, there was one blank card in the Oblique Strategies, like, aha, oh, there's nothing.

And so I drew a rat and I put it on the card and I put it in one of the rat traps that were in the room.

And I kept waiting for him to see it and he wasn't seeing it.

And I go, what's that, Brian?

And he looks over and he sees it.

And I think it was his special...

You know, like in Too Much Paranoia, he did something with an even timbre.

And I do got to say this about him.

He really helped me figure out what I wanted to do on Sense because of a Roxy Music song that was –

I think Roxy Music's first album was their best, and Brian wrote these incredible lyrics.