Matt Bellany

Well, it's Aerosmith. And it's the Madonna truth or dare spoof. Right. Where they're doing this big, heavily produced thing. And Wayne's like, I dare you to make out with me. And then it was like the biggest thing ever. So they did a little bit. But I didn't think this movie could be as good as it is. And I think it's still excellent. You were talking about how much you were laughing.

There's some of the stuff now when you watch that you laugh at because it's genuinely funny. I find myself laughing that we used to laugh at this because it's so stupid. But I promise you at the time we laughed at it and it was cool.

There's some of the stuff now when you watch that you laugh at because it's genuinely funny. I find myself laughing that we used to laugh at this because it's so stupid. But I promise you at the time we laughed at it and it was cool.

There's some of the stuff now when you watch that you laugh at because it's genuinely funny. I find myself laughing that we used to laugh at this because it's so stupid. But I promise you at the time we laughed at it and it was cool.

Yeah, listen. All the stuff when he talks about that they're making a movie. This is the Oscar clip. This is the gratuitous sex scene. Obviously, we're going to talk about the sponsorship scene, which is just iconic. You know what I find myself reminding of in a contemporary sense? I find myself thinking about Deadpool and these Ryan Reynolds movies in which

Yeah, listen. All the stuff when he talks about that they're making a movie. This is the Oscar clip. This is the gratuitous sex scene. Obviously, we're going to talk about the sponsorship scene, which is just iconic. You know what I find myself reminding of in a contemporary sense? I find myself thinking about Deadpool and these Ryan Reynolds movies in which

Yeah, listen. All the stuff when he talks about that they're making a movie. This is the Oscar clip. This is the gratuitous sex scene. Obviously, we're going to talk about the sponsorship scene, which is just iconic. You know what I find myself reminding of in a contemporary sense? I find myself thinking about Deadpool and these Ryan Reynolds movies in which

He's constantly talking to camera, breaking fourth wall, talking about the movie itself. And Ryan Reynolds is a guy who grew up in Canada and I would guess probably idolized Mike Myers without knowing that. That's what kids are watching now. And there's a lot of Wayne's World in these massive Deadpool movies. Yeah. It just works, man. He talks to the camera and I get it.

He's constantly talking to camera, breaking fourth wall, talking about the movie itself. And Ryan Reynolds is a guy who grew up in Canada and I would guess probably idolized Mike Myers without knowing that. That's what kids are watching now. And there's a lot of Wayne's World in these massive Deadpool movies. Yeah. It just works, man. He talks to the camera and I get it.

He's constantly talking to camera, breaking fourth wall, talking about the movie itself. And Ryan Reynolds is a guy who grew up in Canada and I would guess probably idolized Mike Myers without knowing that. That's what kids are watching now. And there's a lot of Wayne's World in these massive Deadpool movies. Yeah. It just works, man. He talks to the camera and I get it.

I feel like I'm hanging out with Wayne.

I feel like I'm hanging out with Wayne.

I feel like I'm hanging out with Wayne.

it's they they do a really deeply produced Laverne and Shirley license the music that probably took them two weeks to shoot that thing it was so important and it's like it's so unbelievably dated for someone watching now and I just think that that was one thing that was tough for me is that now that I watch it at 13 there were so many ref I didn't know who Dick Van Patten was I didn't know Ravi Shankar and all that shit like I barely knew Laverne and Shirley Darren's

it's they they do a really deeply produced Laverne and Shirley license the music that probably took them two weeks to shoot that thing it was so important and it's like it's so unbelievably dated for someone watching now and I just think that that was one thing that was tough for me is that now that I watch it at 13 there were so many ref I didn't know who Dick Van Patten was I didn't know Ravi Shankar and all that shit like I barely knew Laverne and Shirley Darren's

it's they they do a really deeply produced Laverne and Shirley license the music that probably took them two weeks to shoot that thing it was so important and it's like it's so unbelievably dated for someone watching now and I just think that that was one thing that was tough for me is that now that I watch it at 13 there were so many ref I didn't know who Dick Van Patten was I didn't know Ravi Shankar and all that shit like I barely knew Laverne and Shirley Darren's

Sergeant York, all that. I didn't know any of that stuff. It was still funny the way he was saying it, so I would laugh. But you probably got that stuff.

Sergeant York, all that. I didn't know any of that stuff. It was still funny the way he was saying it, so I would laugh. But you probably got that stuff.

Sergeant York, all that. I didn't know any of that stuff. It was still funny the way he was saying it, so I would laugh. But you probably got that stuff.

Well, Hartman was the ultimate glue guy in that he would do some solo stuff, but he could tie it together with the cast. Meyer's stuff where he really shined was either him by himself, like Simon, or like Lothar mostly, or Wayne and Garth, but like a sketch comedy prodigy. The backstory for him is everyone tells their audition story. Mike Myers did not audition for SNL.