Matthew McConaughey

There are some scenes, and I won't point them out, but there are some scenes in the movie that we've all laughed at very hard, but I look at it and go, that's a great SNL skit, but that had nothing to do with the relationship and the circumstance in that movie. Right. So riffing and improv is not an amendment.

It's not a one-off of, I've got to find a spot to get this joke in, and if I get a gap, I'm going to throw it.

It's not a one-off of, I've got to find a spot to get this joke in, and if I get a gap, I'm going to throw it.

It's not a one-off of, I've got to find a spot to get this joke in, and if I get a gap, I'm going to throw it.

If it has no context. Yeah, it doesn't. Then it's like, okay, that's a skit. Improv comes from the... Good improv, I think, comes from the written word, from what was the base of who the character is, what's the circumstance, what's the relationship. And then if you can riff on that, then you're like, I don't know. You call it improv? I don't know. It's coming from... You're just expanding.

If it has no context. Yeah, it doesn't. Then it's like, okay, that's a skit. Improv comes from the... Good improv, I think, comes from the written word, from what was the base of who the character is, what's the circumstance, what's the relationship. And then if you can riff on that, then you're like, I don't know. You call it improv? I don't know. It's coming from... You're just expanding.

If it has no context. Yeah, it doesn't. Then it's like, okay, that's a skit. Improv comes from the... Good improv, I think, comes from the written word, from what was the base of who the character is, what's the circumstance, what's the relationship. And then if you can riff on that, then you're like, I don't know. You call it improv? I don't know. It's coming from... You're just expanding.

I get a launch pad line like that. I'm going... I come back, work for three weeks. Linklater throws me in scenes. I'm going like, everything's based off the guy who believes that I've got life figured out because that's what I love. But high school girls, I get older, they stay the same age. You know what car that guy drives.

I get a launch pad line like that. I'm going... I come back, work for three weeks. Linklater throws me in scenes. I'm going like, everything's based off the guy who believes that I've got life figured out because that's what I love. But high school girls, I get older, they stay the same age. You know what car that guy drives.

I get a launch pad line like that. I'm going... I come back, work for three weeks. Linklater throws me in scenes. I'm going like, everything's based off the guy who believes that I've got life figured out because that's what I love. But high school girls, I get older, they stay the same age. You know what car that guy drives.

You know what time he's, you know if he's married, if he's got kids, if he doesn't, what music he listens to, what he's buying, if he's got a dollar in his pocket, goes in 7-Eleven. Yep. You know what this guy's got, right? You know what's in his car. You know what's in his console. Yep. By that line.

You know what time he's, you know if he's married, if he's got kids, if he doesn't, what music he listens to, what he's buying, if he's got a dollar in his pocket, goes in 7-Eleven. Yep. You know what this guy's got, right? You know what's in his car. You know what's in his console. Yep. By that line.

You know what time he's, you know if he's married, if he's got kids, if he doesn't, what music he listens to, what he's buying, if he's got a dollar in his pocket, goes in 7-Eleven. Yep. You know what this guy's got, right? You know what's in his car. You know what's in his console. Yep. By that line.

You got to earn your moments acting in, in life. You got to earn your moment. Stand up. You got to earn that punchline. Sure. Right. You got to earn that callback. Yeah. Right? If you don't earn it, it lands in like, what are you talking about? Yeah. You got to earn your moments in a performance. I think like in life too. You got to, it's just important to where you're not.

You got to earn your moments acting in, in life. You got to earn your moment. Stand up. You got to earn that punchline. Sure. Right. You got to earn that callback. Yeah. Right? If you don't earn it, it lands in like, what are you talking about? Yeah. You got to earn your moments in a performance. I think like in life too. You got to, it's just important to where you're not.

You got to earn your moments acting in, in life. You got to earn your moment. Stand up. You got to earn that punchline. Sure. Right. You got to earn that callback. Yeah. Right? If you don't earn it, it lands in like, what are you talking about? Yeah. You got to earn your moments in a performance. I think like in life too. You got to, it's just important to where you're not.

It's where you are. If you look, I look at Staying on Days Confused and Wooderson. The last scene we shot, I'm now working three weeks. I'm loving this. People are telling me they think I'm good at it. I'm getting paid $360 a day. I'm going, is this legal? This is great, man. Call me back as much as I can. There's a scene where Wooderson, they've had the night at the field.

It's where you are. If you look, I look at Staying on Days Confused and Wooderson. The last scene we shot, I'm now working three weeks. I'm loving this. People are telling me they think I'm good at it. I'm getting paid $360 a day. I'm going, is this legal? This is great, man. Call me back as much as I can. There's a scene where Wooderson, they've had the night at the field.

It's where you are. If you look, I look at Staying on Days Confused and Wooderson. The last scene we shot, I'm now working three weeks. I'm loving this. People are telling me they think I'm good at it. I'm getting paid $360 a day. I'm going, is this legal? This is great, man. Call me back as much as I can. There's a scene where Wooderson, they've had the night at the field.

Now they're going to go get the Aerosmith tickets in Wooderson's car. And he's like, talks to the gang. He goes, all right, man, we're heading out. And he goes to his car, towards his car. And the group stayed there. And I don't remember exactly, but the group stayed where they were. And I returned to the group. And I remember that night feeling like, false move, bullshit.