Max Pearson

Etsitpä sitten välipalaa pienille tai isommille, niin kotimaista tuoteperheestä löydät maistuvaa jokaiseen ruokahetkeen. Kotimaista, tästä maasta ja S-ryhmän ruokakaupoista. Hankin virtaa uudelleen.

No nyt on energiat kohdillaan! Joo, sähkösapparit! Oomi.fi, mutkattomasti mukana. Psss, myös yrityksille! Still to come, the tampon task force, set up in response to a US public health crisis, and the Austrian mountaineer, who was a teacher to the Dalai Lama. The monks, they didn't like it very much that I had interfered, but

Dalai Lama halusi tietää enemmän ulkopuolelta. Mutta ennen sitä, historia fotograafista, joka tuli symbolisoimaan traumaattisen elokuvan Argentiinan tarinaa. 1982 Adriana Lestido kiinnosti vanhaa ja nuoria tyttöä, jotka kasvoivat heidän armeensa protestiin.

With clenched fists and anguished faces, they were wearing white handkerchiefs tied around their heads, representing the struggle for justice for the so-called disappeared victims of Argentina's military dictatorship. Rina Stanton Sharma has spoken to Adriana about how her photo became a key image representing the resistance. All the photographers went to cover the act.

The demonstration began and all the photographers went to cover the demonstration. And I stayed next to that mother and that girl with the white handkerchief. I just stayed there, kind of magnetized, let's say. And at one point the mother lifted the girl up and they shouted the slogans together.

Ja no, siinä minä otin tuon kuvan. Se on vain kolme pientä kuvia. Ensin äidin ja naisen äidin. Sitten luulen, että äidin laulaa, ja sitten kaksi laulaa yhdessä.

I spent a lot of time trying to locate the mother. Many years later, I managed to locate her. Because actually they are a humble family from a neighborhood in Sarandi, which is a neighborhood in the province. And then, well, they had gone to that demonstration because it was closer, but they didn't usually go to Plaza de Mayo, so I couldn't locate them.

Ja kun olin lopettanut heitä, hän sanoi minulle, että hän oli erittäin yllättynyt nähdä heidän tyttöänsä tekemänsä juuri samaa asiaa kuin hän. Se on kuin jos hän ei ole edes ymmärtänyt sitä. Hän ei edes ymmärtänyt, että minä olin kuvannut hänet.

Actually, she thought that obviously she knew the image, but she thought that it had been taken by one of the photographers who was there. They were a large group of photographers, and I was the only woman, so she didn't register me as a photographer. Well, that's it. Nada bueno, eso.

Jokaisella viikolla Plac de Majo-alueilla, kuten he ovat tunneet, näyttää yksityiskohtaisen järjestelmän, jonka järjestelmä on yksityiskohtainen. Järjestelmä on yksityiskohtainen presidentin pallossa, mutta presidentti ei näe heitä. Argentiina oli repressiivisen militiaalisen roolin jälkeen 1976 ja 1983. Ja monet, jotka olivat yksityiskohtaiset, olivat yksityiskohtaiset ja yksityiskohtaiset, ja kymmenen jäseniä oli tullut. Ja ajattelin, että nainen...

And I thought that the girl was the daughter of the missing person. And then, well, with time, when I managed to talk to her, when I located her, I found out the missing person was actually her brother, Abelino Freitas, who was a leader of Molinos. Molinos is a factory in Argentina, and he was a worker delegate. And well, he was kidnapped, and he never showed up.

Tämä on osa elämästäni.

Ystäväni on menossa. Hän oli haastattelussa. Hän oli haastattelussa. Hän oli haastattelussa. Hän oli haastattelussa. Hän oli haastattelussa. Hän oli haastattelussa. Hän oli haastattelussa.

In fact, I started taking pictures a year after his disappearance. He disappeared in 1978. I started studying cinema in 1979. And there I took some photography courses, and that's when I discovered photography. And I embraced it with my soul and my life. And in 1980 I started studying photography.

But I think that it has to do with his disappearance. And not only that, what happened here in Argentina, the disappearance of so many people, the murder of so many people, had to do with perhaps embracing photography as an expressive medium, which is the medium of light in some way to conjure up so much darkness. Those are things that I thought about later.

Mutta mitä tärkeää on, on se, että se on kuvia,

What matters is that it's an image that came and that grows with time, that continues to grow, that continues to spread, that travels the world, that many feel it's their own, and that something happens that is very important, that goes beyond the circumstances. It goes beyond the disappearance of the brother of that woman and the uncle of that girl.

It goes beyond the echo that image can have in my life or the disappearance of my husband and so many loved ones. And the injustice and the pain that was experienced here in Argentina.

Se menee yli, koska feministit näkevät sitä vaikutuksen kuvan, ja todennäköisesti se pääsee muihin paikoihin, jotka eivät ole mitenkään liittyviä Argentiinalle, jotta se käsittelee omien tilanteensa ja on ihmisen symboli jossain tavalla.

Next we've got a medical story from the past, and this is focused on a public health crisis in the US. In 1980, Toxic Shock Syndrome, or TSS, emerged as a growing problem among women who used tampons. There were hundreds of cases, a special task force was set up, and there were court cases. Goldarthur has been speaking to Nancy King Rehm, who was part of the task force.