Max Richter

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Step into a world where stories come alive. On Audible, there's more to imagine when you listen. Immerse yourself in captivating audiobooks, including master storyteller Stephen King's latest short story collection, You Like It Darker. Let King's chilling tales transport you to realms both haunting... and thrilling. With Audible, you're not just hearing words, you're experiencing them.

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From thrilling mysteries to heartwarming romances, there's a story waiting for everyone. As an Audible member, you choose one title a month to keep from their entire catalog, and new members can try Audible free for 30 days. Visit audible.com slash WonderyPod or text WonderyPod to 500-500. That's audible.com slash WonderyPod or text WonderyPod to 500-500.

Hi, great to be here.

Hi, great to be here.

Yeah. I mean, playing music live is really... in a way the most authentic, the realist, most direct musical experience we have. It's a setting where you really get to experience the conversational aspect of music, in real time. You're there in the room. It's a one-time thing. It's a unique occasion. So it's super exciting, and I think we all love doing it. So yeah, I have a new record coming.

Yeah. I mean, playing music live is really... in a way the most authentic, the realist, most direct musical experience we have. It's a setting where you really get to experience the conversational aspect of music, in real time. You're there in the room. It's a one-time thing. It's a unique occasion. So it's super exciting, and I think we all love doing it. So yeah, I have a new record coming.

In fact, it's out in a couple of days. So yeah, we thought we'll take it on the road and see what happens.

In fact, it's out in a couple of days. So yeah, we thought we'll take it on the road and see what happens.

Yes, I play. I mean, I play piano. I'm playing various keyboards, computers, gizmos of all sorts. And then there's a string ensemble.

Yes, I play. I mean, I play piano. I'm playing various keyboards, computers, gizmos of all sorts. And then there's a string ensemble.

Yeah, this is the first time we've really put it together in a kind of a planned way. I mean, I've played a lot of concerts over the years, but we've never really gone out on a tour like a band. So that's what I'm doing now.

Yeah, this is the first time we've really put it together in a kind of a planned way. I mean, I've played a lot of concerts over the years, but we've never really gone out on a tour like a band. So that's what I'm doing now.

Yeah, I'm excited about it, actually. I love putting the music out into the real world and seeing what happens. Because I think it's a little bit like testing a theory. I write a bunch of stuff on a piece of paper. And I have ideas about what that might be and what it might turn into. And part one of learning what it is, is the recording process.

Yeah, I'm excited about it, actually. I love putting the music out into the real world and seeing what happens. Because I think it's a little bit like testing a theory. I write a bunch of stuff on a piece of paper. And I have ideas about what that might be and what it might turn into. And part one of learning what it is, is the recording process.

But really part two, and maybe the most important part, is finding out what happens when you put it in a room with human beings. And also, actually, audiences are different around the world. They really are. There's different energies, different enthusiasms. And yeah, it's always a really fun thing to do.

But really part two, and maybe the most important part, is finding out what happens when you put it in a room with human beings. And also, actually, audiences are different around the world. They really are. There's different energies, different enthusiasms. And yeah, it's always a really fun thing to do.

Yeah, you really get a sense of it. You really get a sense when people are listening, when they're engaged, you know, when they're sort of when they're really connected, you really feel it. And yeah, it's this moment to moment experience for us as performers and for the audience.

Yeah, you really get a sense of it. You really get a sense when people are listening, when they're engaged, you know, when they're sort of when they're really connected, you really feel it. And yeah, it's this moment to moment experience for us as performers and for the audience.