Mel Robbins

That's 3,300 pages.

We would literally let them, let them, and then I'd get pissed off because she'd want to work on it.

And I'm like, I can't, I'm a creator.

And I'd leave.

And then she'd be upstairs going, let her, let her, let her.

And I'd be downstairs going, let her, let her.

You know, I can't do this if you're in this mood.

Because you know how you get with your kids where they're in a bad mood.

And then you're like, why are you in a bad mood?

And then she's like, I'm not in a bad mood.

And then next thing you're like, that was us writing this book.

And by 11 o'clock at night, every night,

We would be above the garage typing something up and we'd look at each other and go, this is so good.

And what was great about it is because she's in her 20s and I'm in my 50s, we argued over every word.

We argued over every story.

And it was almost like you got to be careful when you write a book about control because the universe hands you nonstop situations.

that make you use the thing you're working on.

You get on a plane, somebody's kicking your seat.

You go to the dog park, somebody is letting their dog poop everywhere and they're not picking it up.

Like you just like battles.