Mikey Shulman

I want to do better on this benchmark. Music is totally subjective. So scale is not the answer to all the problems. So the models stay relatively small. And there are other techniques that you have to use to actually have these things have good taste.

I don't know about many, but scale is not as much of a panacea as it is in text.

I don't know about many, but scale is not as much of a panacea as it is in text.

I don't know about many, but scale is not as much of a panacea as it is in text.

The thing about video games is that they're interactive, they're engaging, they're rich experiences, they're fun by yourself, they're more fun with your friends. And when I think about what music should be for me, it should be all of those things. In that sense, I want to make music more like a video game.

The thing about video games is that they're interactive, they're engaging, they're rich experiences, they're fun by yourself, they're more fun with your friends. And when I think about what music should be for me, it should be all of those things. In that sense, I want to make music more like a video game.

The thing about video games is that they're interactive, they're engaging, they're rich experiences, they're fun by yourself, they're more fun with your friends. And when I think about what music should be for me, it should be all of those things. In that sense, I want to make music more like a video game.

Nobody half plays video games the same way people kind of put on music in the background and half pay attention to it. And then the other way is I think if you accomplish all those things and if you make music interactive and you make music engaging, people will pay for it like they pay for video games.

Nobody half plays video games the same way people kind of put on music in the background and half pay attention to it. And then the other way is I think if you accomplish all those things and if you make music interactive and you make music engaging, people will pay for it like they pay for video games.

Nobody half plays video games the same way people kind of put on music in the background and half pay attention to it. And then the other way is I think if you accomplish all those things and if you make music interactive and you make music engaging, people will pay for it like they pay for video games.

And I'm sure I don't need to tell you that the video game industry is so much bigger than the music industry and most other industries. And it's because people have no problem parting with their hard-earned money to experience those things. And to me, it seems like just crazy that music should not be as engaging as Fortnite.

And I'm sure I don't need to tell you that the video game industry is so much bigger than the music industry and most other industries. And it's because people have no problem parting with their hard-earned money to experience those things. And to me, it seems like just crazy that music should not be as engaging as Fortnite.

And I'm sure I don't need to tell you that the video game industry is so much bigger than the music industry and most other industries. And it's because people have no problem parting with their hard-earned money to experience those things. And to me, it seems like just crazy that music should not be as engaging as Fortnite.

I agree with that very strongly. I'm not even sure you'll know what model there is. At some point, I don't know if it's version four or version five, there will be a last model release that is released as a model. And everything else is just product releases because in the end, you know, it's not today, but in the end, I think people aren't going to care what powered the thing.

I agree with that very strongly. I'm not even sure you'll know what model there is. At some point, I don't know if it's version four or version five, there will be a last model release that is released as a model. And everything else is just product releases because in the end, you know, it's not today, but in the end, I think people aren't going to care what powered the thing.

I agree with that very strongly. I'm not even sure you'll know what model there is. At some point, I don't know if it's version four or version five, there will be a last model release that is released as a model. And everything else is just product releases because in the end, you know, it's not today, but in the end, I think people aren't going to care what powered the thing.

You're just going to care that the music made you feel a certain way. And there's going to be lots of things that go into that.

You're just going to care that the music made you feel a certain way. And there's going to be lots of things that go into that.

You're just going to care that the music made you feel a certain way. And there's going to be lots of things that go into that.

Yeah, it's a transformer model. We've not been shy about that. Our competitive edge here has not been to innovate on the architecture and has been to innovate on the audio representation. So if you like, you can think it's not obvious how to tokenize audio.