Mo Amir

You got to cut this.

I'm pretty much the first guy that will say that, to be honest.

And then I'll have people that I'll show it to, and I could tell right away.

I could tell if this is good or not, because I'm a big believer in necessarily notes, but first reactions.

right?

And then I'll see if I actually communicated what I wanted in a particular scene or in a stand-up bit or whatever.

You'll see it right away and then you'll be like, oh, I know how to fix this.

I didn't do my job fully here.

Let me fix that.

And then you'll tweak it and then you'll get what you want out of it.

That's usually how I operate.

Like with the series and everything, just me and my editors, from episode to episode, we just flip, swap back and forth and

Every second is accounted for, everything.

Even when we were scoring the show, I'd go and score the show with the band and sit together.

I'm like, ah, this didn't sound right.

Switch this, do that, go faster here.

And I don't know anything about scoring a show, but I can feel it and I can know it.

You see it.

I believe it.

You just make adjustments.