Molly Rogers

She was an innocent.

So she came to the second one, extremely knowledgeable.

And it was helpful because you can make a fashion reference and she knows exactly what you're talking about.

And Emily, I mean, she's a national treasure.

She has such an instinct.

I had really wanted to put this porcupine needle Rick Owen gown on her in one of the scenes where there's a birthday party.

And she bravely tried it on and then we proceeded to scratch her to death getting it off of her.

But it looked incredible.

If I could have figured out a way to not make her bleed, that gown would have been in the movie.

What is there if there's not pain?

When I read the script and I closed the, you know, fade to black, closed the last page, I knew immediately if that sweater still existed, it needed to come back into this movie.

Like, that is a no-brainer.

And I spoke to the director about it, and it was the first phone call I made to the archives out at the studio.

You know, stuff disappears.

You know, that's the thing.

You finish a movie, all of the clothes go to the lot where other productions can rent them.

And it was only recently, you know, that people really started hanging on to things, or studios did, because they saw the value or the beloved –

aspect of a piece of clothing.

So I called.

There were three pieces in storage.