Molly Rogers

A lot of storytelling needs to be told, you know.

And that day we were shooting a scene and I was in love with these ties from a girl here in London.

I thought they were so unique and they were beautiful ones, green ones, small ones, you know, just beautifully embroidered and glittered and sparkled and rhinestone and just the perfect.

If you don't want a pussy bow blouse, you could put that there.

And I had pulled them for Mr. Tucci.

And he was like, oh, you'll never get me in that.

And I knew that it wasn't really his character to do that.

It's a little too far flung.

But I had them on my desk on a tray and I knew they were calling the actors to a big conference scene.

And I went to Meryl and I said, I have a great tray if you want to pick anything up in the scene.

And she did probably ad-lib that, and they're in.

So at least I got them in.

You got them in.

And I got one of this designer's butterfly chokers in another scene.

People will see it.

It's at a dinner.

Honestly, montages, as much as I love them, they create chaos, despair, depression in my department.

You want the very best.

It's less than a second, some of those flashes.

And you need something strong.