Molly Rogers

I mean, it does add something to what you're bringing to a project.

It felt kind of like coming back within Just Like That, like coming back to summer camp with people that you missed and you wanted to see again.

So I was...

not concerned about bringing them forward in time.

Even before I read the script, I knew that Pat had established their DNA.

So, you know, this is the editor, this is the assistant, this is the fish out of water, that it would just be about continuing that DNA in the second one.

So I just kept saying to myself,

a million girls would kill.

So enjoy it.

What a win that was.

I owe all of this to having worked and been friends with Patricia Field since the 80s.

When I was a small, small baby, I came to New York with a dream.

And I met Pat, and she had a very famous store on 8th Street in the 80s.

And it was just the intersection of social life.

Let's say that store was the Internet now.

Everybody went there.

And MTV had just started, and we started styling.

And that just progressed over the years into Sex and the City and the two movies and the first Devil Wears Prada.

And then I never dreamed I would see the Sex and the City girls again, and just like that.

Pat was busy doing Emily in Paris, and I wanted to do that with her, but...