Nicola Coughlan

It's a really special show.

It's, you know, my character has bipolar disorder and it's not, it's not a show about bipolar disorder, but it certainly examines it, I think, in a really interesting way because it's through the lens of comedy and,

So you're never making fun of it, but you see how much it complicates her life.

And it does sort of bring up these ridiculous situations at times.

But we've had amazing feedback from the first series of people that have had bipolar, work with someone that has it, married to someone with bipolar that said it was like a really true reflection they felt.

And they'd not seen it so much on TV, which was incredible feedback.

But yeah, so it's a comedy that deals with very tough things.

So it gets dark sometimes.

And it's a funny time.

I think they've just entered into their 30s and they're trying to figure one another out and trying to heal and become the best versions of ourselves and whatever Instagram tells us we need to be doing, they're trying to do that and really butting heads against one another.

But it's a gorgeous cast, like Lydia West, who's just the sweetest human.

Love her.

No, it's sort of, it feels very true to certain people I know and like that part of London.

Someone said it's an extremely millennial show, and I'm like, it really is.

We did Bridgerton.

It's an eight-month shoot, generally, a Bridgerton season.

So it was at the end of it we started to overlap.

So I did, let's say, a full week on Bridgerton, then a full week on Big Mood, then the weekend Bridgerton.

So I just felt.

I didn't know my arse from my elbow, honestly, for that time.