Nicole Phelps

We did this a couple of years ago, but we were both remote.

So it's nice to be in the same room together.

And it's nice to have you in New York.

You are here because you have a Resort 2027 show.

And often in the past, we've gone to quite far flung locations, Rio, the Niteroi Museum there, the Miho Museum outside of Kyoto.

Why come to New York at this moment?

So you're going to the Frick Collection, which has just had an incredible renovation and expansion.

Tell me about knowing that you're going to show in the Frick Collection alongside priceless art.

How does that impact how you design?

And so, as I understand it, beyond the show, Vuitton is supporting the museum for the next three years.

Is that correct?

So you touched on this a bit, but talk a bit more about what appeals to you about a resort collection.

How do you design differently for resort versus the main seasons, which you, of course, show in Paris?

So the last time you were on Vogue's podcast, you said something that really lingered with me.

You said that fashion needs aesthetic danger.

And so I thought especially I was reminded of that this past season in Paris because your collection, you took it to extremes.

The proportions were really strong.

And will this show have aesthetic danger, would you say?

Speaking of that show, in March, I saw reports.

People called it bogcore.