Noah Hawley

And, you know, we did the eight hours and then they said, thank you and don't let the door hit you on the way out.

And then the next day, Jeremy Renner was nominated for an Oscar for Hurt Locker.

Yeah, I mean, you know, what you realize, especially when there's comedy in the work, right, is that, you know, where you see the joke is different than where somebody else sees the joke, right?

With a beat.

And even The Unusual's pilot, right, is like Stephen Hopkins had directed it and, you know, he cut a much broader story.

comedy than I saw.

Right.

And so I would go in and, you know, so you start in the editing room to be a filmmaker.

Right.

You know, and and where, you know, I'm not a I'm not a big fan of melodrama.

I like to keep the emotion sort of low until it's really earned.

And, you know, and then my generation was a it was a

a fake documentary about the high school class of 2000 and where they were 10 years later.

And so I had to approach it like I was making a documentary film.

So, you know, when you watch a documentary, you're like, well, the cameras weren't there.

They've got an audio recording or they've got still photographs or they've got, you know, or if the cameras were there and the couple had a fight and she ran off and he ran after her, well, the camera's not there waiting, right?

The camera's chasing, right?

So there was a cinematic,

mindset of making that.

And then of course, as I said, with the Coen Brothers film,