Other Guest (Not Specified)
speaker
86 appearances
1 recordings
1 series
first heard Apr 2025
last heard Apr 2025
Other Guest (Not Specified)’s voice in public audio — every appearance, attributed to the second.
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Appearances
We always thought it was a good idea. And then he finally, while we were doing Whiskey Tango, Foxtrot, he sent us the script. And he's like, I don't know if you remember this.
And it all sort of like fell into place. It was like, because we were off season, so we weren't in that pilot casting madness. It was like everybody was available that you wanted. And it was, yeah, and all just sort of.
Yeah. We wanted it to feel intimate and voyeuristically or in these people's lives yeah and uh we had just experimented with a lot of handheld on on whiskey tango foxtrot yeah and you know it was just a fast way to move it was great for like throwing out ideas and redoing stuff and keeping it moving yeah and uh
so we said there are no dollies allowed no cranes allowed no you know if you're shooting in a car shoot in the car don't you know don't do the the rig you know okay and all that stuff just like make it real like a camera crew is following these people around yeah and make it feel that way it's okay if there's bumps and mistakes yeah yeah yeah and it just makes it feel like more intimate like you're spying on someone like you're it's so you wanted to sense like you're inappropriately dropping
Well, it is dangerous, because if an airbag goes off, you can really hurt somebody.
You know, you could turn an airbag off or whatever. Yeah. The rule now is, is as long as you control the street or you can control the traffic around, you can do it. But back then it was, we were wild west.
I mean, it was the way it was written. I mean, it's in there. It's in the script. And we'd always done a lot of stuff as writers where we were trying to mix tones like Dan does really well. So that's why we wanted to do Crazy Stupid Love when he wrote it, because we're like, this is basically the style that we do.
I played a little more with levity than later because I think the storylines just had to get heavier just to keep you invested. So like, you know, cause like Justin. It's hysterical. So funny. It's just hysterical in those first four seasons. And he has this tragic thing and he still has his moments, but it's, that's just the nature of series.
Yeah, somewhere out there.
If you keep it on too long, it'll burn. But they were managing that.
It was hot. And then it also had, oh, it was really hot. You know, these kind of portable flame bars that you put them in front of the camera. And then since we were on sort of longer lenses, kind of compress everything so it looks like Milo's right in it.
That's the great thing about shooting on long lenses is it makes... How much planning?
We had to board that whole sequence just to know what we could get away with and not get away with. We were running out of time.
Yeah, off the roof. We built a roof set. You know, it was elevated, but it wasn't real high. It wasn't as high as an actual roof would be. We had a, was it a cherry picker or something? We had a thing that they, it was a cherry picker, that came up to meet the roof line, and then the actors climbed in.
into the cherry picker. Okay. It was fun. It was a lot of fun.
A lot of restrictions.
And it was cold.
Oh, it's 16.
you're going to do something else you're not with us all the time dan always would call us and go like hey you know let's get this episode coming you know this vietnam thing and it's a lot of vfx can you come back no thanks and we were just not available but he was always And we really tried to make it work out for the end. And we just couldn't. Our schedule kept sliding.
We had to move heaven and earth just to go to the 100th episode. getting a party in the parking lot.
Showing 21–40 of 86 · page 2 of 5
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