Other Guest (Not Specified)
speaker
86 appearances
1 recordings
1 series
first heard Apr 2025
last heard Apr 2025
Other Guest (Not Specified)’s voice in public audio — every appearance, attributed to the second.
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Appearances
And then he'll give yours.
I'll say also, um, It's something we share with Dan is we are like editing room creatures. We've edited a few of our films ourselves. I came up as an editor, John was in post-production as well, but John actually taught me how to edit on video when we were in college, I remember.
That whole process when we're sitting there and we're throwing stuff out, you'll notice I'll stop in the middle of a sentence.
and then i'll go that's me editing in my head yeah and i'm going okay okay we could do this we could do this okay and then i'm thinking back to like the six takes ago and like okay and that's a it's important and dan's that way too like we could have this shorthand with dan where he's just like just get like Just get a shot of this.
And I don't have to ask why, because I know exactly why he's asking. Because he needs something to cut to to get this, or he needs a transition. And you have to collaborate with editors and all these things, and you have to be able to get all that stuff out. I felt trusted. There's an extreme amount of trust involved in working with you guys. Get me that Irish guy from the Nick.
If he can do an American accent, the job is his.
They said, you were available. I said, that's it. And I thought he was.
The Nick is like my favorite show ever.
It wasn't the character so much. It was just the performance. You're completely lovable in that, in the neck.
I have a question for you guys about that, about episodic directors.
Because we've never directed an episode of TV that wasn't something... Well, they've directed and acted, so they can do... That wasn't something that we did the pilot of or something like that. But... For me, like I said, creating the world is the fun part, helping create the characters and all that stuff and finding the guardrails and all that.
But what does not appeal to me is to be an episodic director is to come in and knowing all these people have been doing this for two seasons and I have no authority really to tell them what to do. Is there an air of collaboration coming from your side to entertain things or you just want to just trust us?
Yeah, it's just the relationship with the episodic director.
When we're early in the process, when we're doing the pilot and everything, it's like we're trying everything.
Yeah, yeah. We go through that process. And then there's this wonderful moment where you're like, oh, they know. They know their character. You see it click in. There's like a scene or a thing.
Usually it's a time constraint thing.
It's like, you know, you got to get, you know, good guys are doing this every day. You know, can't be doing long hours. Do you, this is a completely different subject.
I just was reminded of something when we were talking about John pouring the beer on my head.
Being in a moment where things could go really wrong, I don't remember what episode it was, but it was the one where Justin was going to be in some bachelor auction.
and uh and i oh no and i just rushed up to you and i went tell me what you think of this this is a you know a black man doesn't isn't going to be envious of it of getting auctioned off yes and it like came out of my mouth and i went oh my god this could go really wrong it was at that time that i thought glenn for carl was black i was like you just he's just passing over here no but that was
Showing 61–80 of 86 · page 4 of 5
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