Paul McCartney

Yeah, if I'm putting the first bit on, I know that I can mess around afterwards and just do something free.

Because if we don't like it, we can just not use it and just cut it off.

But if we do like it, it can find its way in there.

It's just a little something, a little tasty something, you know.

I'm glad that you get the idea that we're having fun because that is what it is.

And it's also a romantic song for my wife.

So I can say to her, this is about you.

In fact, it's funny, I played it for her recently and I don't think she knew

that it was specifically about her.

I don't know who she thought it was about, but this was specifically about her.

So I thought, you know, it's about time that I finished it up, played it to her, and told her, this is about you.

It's a vocal.

Really?

Yeah.

I've got a Vox amp that I use mainly for guitar, but it has a tremolo.

So if you put a noise through it, a guitar thing, it's going... So again, in the spirit of fishing around for interesting ideas,

I've said, let's try putting the vocal through it.

So instead of it just going na, na, we put it through that and it went na, na, na, na, na, na, na, na, na, na, na, na, na, na.

I'm glad that I haven't reached the point where I'm so blasé that I just want to just get on, write a song, record it, go home.

I like the process of discovering new sounds and new ideas.