Paul Moyle

But to other people in the courtroom, and you've heard from over the course of this week, something to be cherished. Something precious. Something that you'd be willing to go to the ends of the earth to find and bring home safe. What's in the bag? You have the base.

But to other people in the courtroom, and you've heard from over the course of this week, something to be cherished. Something precious. Something that you'd be willing to go to the ends of the earth to find and bring home safe. What's in the bag? You have the base.

We've all approached a traffic light. The light was turned yellow. See and hear. As someone approaches this traffic light, they have a choice. Do you step on the gas? Do you step on the brakes? Do you consider what time of day is it? Are there pedestrians? What's the traffic look like? Are you running late? Is there a need to get where you're going quickly? All things that your mind processes

We've all approached a traffic light. The light was turned yellow. See and hear. As someone approaches this traffic light, they have a choice. Do you step on the gas? Do you step on the brakes? Do you consider what time of day is it? Are there pedestrians? What's the traffic look like? Are you running late? Is there a need to get where you're going quickly? All things that your mind processes

In an instant, you make the conscious choice to either hit the brake pedal or to go hammer down. And as we'll see, Silver Car, when faced with that decision, just like Mr. Chin, accelerated, kept going, didn't stop. I want you to keep that in mind as we start going through the proof.

In an instant, you make the conscious choice to either hit the brake pedal or to go hammer down. And as we'll see, Silver Car, when faced with that decision, just like Mr. Chin, accelerated, kept going, didn't stop. I want you to keep that in mind as we start going through the proof.

What opportunities did Mr. Chin have during this to take the off ramp away from violence, away from murder, away from 60 stab wounds? It's important to know the timeline. How long does it take to choose to kill Ms. Jasmine Pace? Mere seconds.

What opportunities did Mr. Chin have during this to take the off ramp away from violence, away from murder, away from 60 stab wounds? It's important to know the timeline. How long does it take to choose to kill Ms. Jasmine Pace? Mere seconds.

a pin of her last location to her mother. Ms. Jasmine Pace sends it to Katrina. Now there's two options, sure. But circumstantially, we know that it's Jasmine that sent that message. This is only two options. It's either Ms. Jasmine Pace in a cry for help, letting her family know where she is, or it's Mr. Jason Chen using the phone, sending a message to Jasmine's mom, For what purpose?

a pin of her last location to her mother. Ms. Jasmine Pace sends it to Katrina. Now there's two options, sure. But circumstantially, we know that it's Jasmine that sent that message. This is only two options. It's either Ms. Jasmine Pace in a cry for help, letting her family know where she is, or it's Mr. Jason Chen using the phone, sending a message to Jasmine's mom, For what purpose?

To get caught? We know he doesn't want that to happen.

To get caught? We know he doesn't want that to happen.

Sixty individual, stat, and his size wounds were on Jasmine Pace's body at the Constitutional Sanitary Examiner's office. That means stab, action one, removing, action two. Each stab in and of itself consists of two distinct movements. The movement plunging the knife blade in and the movement removing the knife blade out, back in, out 120, 120 times. He had to move his body

Sixty individual, stat, and his size wounds were on Jasmine Pace's body at the Constitutional Sanitary Examiner's office. That means stab, action one, removing, action two. Each stab in and of itself consists of two distinct movements. The movement plunging the knife blade in and the movement removing the knife blade out, back in, out 120, 120 times. He had to move his body

to be able to inflict the number of injuries that we see on Jasmine Pace's body.

to be able to inflict the number of injuries that we see on Jasmine Pace's body.

Then we fast forward to 5.59. You've seen it. Mr. Chin emerges from his apartment with a suitcase. Watch as he tips it over, how heavy it is, pulls him to the ground. Watch as he struggles to go around the corner towards the light post right there. Because it's not clothes. He's not going on some trip. It's a person. It's Jasmine Pace, 98 pounds, 5 foot 2 inches tall. This growing suitcase.

Then we fast forward to 5.59. You've seen it. Mr. Chin emerges from his apartment with a suitcase. Watch as he tips it over, how heavy it is, pulls him to the ground. Watch as he struggles to go around the corner towards the light post right there. Because it's not clothes. He's not going on some trip. It's a person. It's Jasmine Pace, 98 pounds, 5 foot 2 inches tall. This growing suitcase.

That's all it took. having her in the fetal position with one arm chained to her right way on the inside. And let's think about it. Why on the inside, not the outside? If it is as the defense would have you believe that Jasmine Pace was cuffed up while she was dead, right? Why on earth would they apply one arm shackled to the elbow and the other one to the left leg. She's not moving.

That's all it took. having her in the fetal position with one arm chained to her right way on the inside. And let's think about it. Why on the inside, not the outside? If it is as the defense would have you believe that Jasmine Pace was cuffed up while she was dead, right? Why on earth would they apply one arm shackled to the elbow and the other one to the left leg. She's not moving.