Paul Thomas Anderson

But that sort of stuff, it's, you know, it's nice, it's trickery, but he writes beautiful music that complements the film and they go hand in hand and...

It was the beginning of a beautiful collaboration.

Yeah, for sure.

I mean, I had all kinds of... The stuff that I was listening to was stuff that he likes anyway.

Was it Penderecki or Schubert or, you know, even the piece that he had written for the BPC Orchestra.

So that was already kind of informing where my head was at.

And it was nice to go to him and say like, you know, the movie lends itself to just like wide open spaces and like a huge opportunity to fill long gaps of silence with music that can either be gigantically loud or even just simmering underneath.

So it was quite a good entrance into the game for him.

I love that.

Well, they're already sick of that Smile record.

They've been hearing that enough.

They're like, enough with that.

Enough, enough, enough.

So, well, come on.

Pearl is listening to, well, you know what she's listening to is anything, and I don't know many of the artists, but we're kind of obsessed right now with this film, The Worst Person in the World.

Yeah.

I don't know if you guys have seen it.

I sent the trailer.

It looks great.

Oh, it's fucking magical, this film.