Paul Thomas Anderson

People that like to sit down and watch trailers and then...

people that like to watch the credits of movies.

People like to watch the credits and people that don't like to watch the credits.

I like to watch the credits.

Well, I hope so.

I mean, time will tell.

Yeah, this is very dangerous.

I remember there's these great episodes with Lucille Ball doing these radio interviews from the mid-60s.

I don't know if you've heard those.

They were on SiriusXM for a little while.

And you hear all these people talking about their strengths as parents.

And then you sort of realize, you know, that time has really proven quite differently that, you know, there are these people talking about...

You know, we really spend time on the weekends and everything else, and you're like, uh-huh, uh-huh.

Stay tuned for the book.

But I don't know, you know, one of the benefits of writing, I suppose, is the ability to work from home, the ability to be present at home.

And shooting movies about the valley.

Well, that helps too, to not go too far away.

But even still, I think that, you know, I don't know.

When I went to London to make Phantom Thread, they did come for some of the time, but then they understood that for two months you're not going to see me, you know, but that's okay out of 12 months and a year.

As long as I'm with you the other chunk of time, you won't miss me that much.