Professor Armand D’Angour

Though I think that the emphasis is more on Orestes in that particular play. And at the end of it, when Platon Nestor is killed, having begged her son not to kill her, her furies are released. That is the spirits of vengeance that will haunt Orestes in the third of that trilogy, the Eumenides.

Though I think that the emphasis is more on Orestes in that particular play. And at the end of it, when Platon Nestor is killed, having begged her son not to kill her, her furies are released. That is the spirits of vengeance that will haunt Orestes in the third of that trilogy, the Eumenides.

Though I think that the emphasis is more on Orestes in that particular play. And at the end of it, when Platon Nestor is killed, having begged her son not to kill her, her furies are released. That is the spirits of vengeance that will haunt Orestes in the third of that trilogy, the Eumenides.

and will eventually lead him to a court of justice in Athens, which will decide on his guilt or innocence, and which famously has a

and will eventually lead him to a court of justice in Athens, which will decide on his guilt or innocence, and which famously has a

and will eventually lead him to a court of justice in Athens, which will decide on his guilt or innocence, and which famously has a

split verdict which then has to be decided by the goddess athenia and the goddess decides for rather dubious reasons with a rather dubious explanation as to why that he shouldn't be executed he should be sent into exile so the punishment is mitigated and the reasons that she gives is that killing a father is worse than killing a mother because after all a man is just well what she says is that the woman is just

split verdict which then has to be decided by the goddess athenia and the goddess decides for rather dubious reasons with a rather dubious explanation as to why that he shouldn't be executed he should be sent into exile so the punishment is mitigated and the reasons that she gives is that killing a father is worse than killing a mother because after all a man is just well what she says is that the woman is just

split verdict which then has to be decided by the goddess athenia and the goddess decides for rather dubious reasons with a rather dubious explanation as to why that he shouldn't be executed he should be sent into exile so the punishment is mitigated and the reasons that she gives is that killing a father is worse than killing a mother because after all a man is just well what she says is that the woman is just

The furrow in which the seed is planted. So it's a somewhat patriarchal view of the relative importance of men and women that ends Aeschylus' trilogy. Anyway, but none of that is evident in the other two treatments of Electra, which are standalone. We know that ancient plays were created as trilogies. They weren't necessarily always connected trilogies like the Oresteia.

The furrow in which the seed is planted. So it's a somewhat patriarchal view of the relative importance of men and women that ends Aeschylus' trilogy. Anyway, but none of that is evident in the other two treatments of Electra, which are standalone. We know that ancient plays were created as trilogies. They weren't necessarily always connected trilogies like the Oresteia.

The furrow in which the seed is planted. So it's a somewhat patriarchal view of the relative importance of men and women that ends Aeschylus' trilogy. Anyway, but none of that is evident in the other two treatments of Electra, which are standalone. We know that ancient plays were created as trilogies. They weren't necessarily always connected trilogies like the Oresteia.

But we then have stand-alone plays by both Sophocles and Euripides. Not clear whether they were Sie wurden am gleichen Zeitpunkt geschrieben oder in Bezug auf einander, oder welcher der beiden als erster kam. Aber sie nehmen beide die Figur von Elektra als zentral.

But we then have stand-alone plays by both Sophocles and Euripides. Not clear whether they were Sie wurden am gleichen Zeitpunkt geschrieben oder in Bezug auf einander, oder welcher der beiden als erster kam. Aber sie nehmen beide die Figur von Elektra als zentral.

But we then have stand-alone plays by both Sophocles and Euripides. Not clear whether they were Sie wurden am gleichen Zeitpunkt geschrieben oder in Bezug auf einander, oder welcher der beiden als erster kam. Aber sie nehmen beide die Figur von Elektra als zentral.

Und so, wie du sagst, die Namen dieser beiden Spiele sind Elektra. Die Euripides-Version ist typisch Euripidean. Ich meine, er war immer bereit, etwas Cleveres, Ungewöhnliches und Innovatives zu machen. Und in Aeschylus' Coethean, was du bekommst, ist, dass Elektra wartet auf die Rückkehr von Orestes, um ihn zu beheben. Denn Orestes wurde in Exil gesendet, also war er nicht in Mycenae, im Palast.

Und so, wie du sagst, die Namen dieser beiden Spiele sind Elektra. Die Euripides-Version ist typisch Euripidean. Ich meine, er war immer bereit, etwas Cleveres, Ungewöhnliches und Innovatives zu machen. Und in Aeschylus' Coethean, was du bekommst, ist, dass Elektra wartet auf die Rückkehr von Orestes, um ihn zu beheben. Denn Orestes wurde in Exil gesendet, also war er nicht in Mycenae, im Palast.

Und so, wie du sagst, die Namen dieser beiden Spiele sind Elektra. Die Euripides-Version ist typisch Euripidean. Ich meine, er war immer bereit, etwas Cleveres, Ungewöhnliches und Innovatives zu machen. Und in Aeschylus' Coethean, was du bekommst, ist, dass Elektra wartet auf die Rückkehr von Orestes, um ihn zu beheben. Denn Orestes wurde in Exil gesendet, also war er nicht in Mycenae, im Palast.

Während Elektra dort geblieben ist. Und sie wartet auf seinen Rückkehr und behebt ihren Vaters Tod. Sie wartet auf ihren Bruders Rückkehr. Das ist es. Und wenn er zurückkehrt, erkennt sie ihn durch Token. Es gibt einen Haar, den er erkennt. Es gibt ein Stück Kleidung. Und da ist sein Foto. Aber Euripides macht Spaß mit diesen Token. Euripides hat Elektra mit einem Haar ausgesprochen.

Während Elektra dort geblieben ist. Und sie wartet auf seinen Rückkehr und behebt ihren Vaters Tod. Sie wartet auf ihren Bruders Rückkehr. Das ist es. Und wenn er zurückkehrt, erkennt sie ihn durch Token. Es gibt einen Haar, den er erkennt. Es gibt ein Stück Kleidung. Und da ist sein Foto. Aber Euripides macht Spaß mit diesen Token. Euripides hat Elektra mit einem Haar ausgesprochen.