Richard Brody

speaker
196 appearances 3 recordings 1 series first heard Feb 2025 last heard 21 Jul

Richard Brody’s voice in public audio — every appearance, attributed to the second.

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recordings per month · last 12 months
1 · Jul OctJan 26AprJulnow

Recordings per month over the last 12 months — 2 in all, peaking in Jul 2026 with 1.

Appearances

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Namely, she herself is an aspiring and very talented fashion designer.
And the stores that they hit most of all are the stores of the merchandise by this one particular designer who turns out to be their nemesis of sorts.
And from the perspective of this premise that is done with a great deal of humor and a great deal of visual flair and a great deal of raucous and wild comedy, it's a real success.
But, you know, there's this line from Jean Cocteau that, you know, tact in audacity is knowing how far you can go too far.
And Boots Riley goes too far, too far.
You know, there was a science fiction dimension in Sorry to Bother You that I thought he handled extremely well.
And in I Love Boosters, the first touch of it, which is the availability of essentially a teleporting device, which is used to ship this woman's fashions from the factory in China where they're made to the U.S.
without paying.
Right.
It's really ingenious.
The best tariff evader ever devised.
I shouldn't put it this way, but much to my surprise, I think Disclosure Day, which is still in theaters, is really well worth seeing.
I think it's one of Steven Spielberg's best films up there with 1941.
You've been saying this for years, the 1941 line, and it never fails to get a rise out of everybody.
No, but Disclosure Day is really well worth seeing.
I get the impression, exactly like with 1941, that Steven Spielberg displays something that he hasn't displayed in most of his movies, namely an id.
Richard Brody, thank you so much.
David, thank you very much.
Good to see you.
Yeah, I think that the Academy has gotten better and the movies have gotten better.
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