Robert Edward Grant

But actually, as we go forward in procession, which one degree of our rotation around the sun each year is approximately one day because we have 365 days in the year, And that's really only because we've been ignoring the feminine side of the calendar because we don't follow the moon calendar for the annual basis, which would be 354.6 days. And the masculine form of the calendar is 365 days.

But actually, as we go forward in procession, which one degree of our rotation around the sun each year is approximately one day because we have 365 days in the year, And that's really only because we've been ignoring the feminine side of the calendar because we don't follow the moon calendar for the annual basis, which would be 354.6 days. And the masculine form of the calendar is 365 days.

It's the solar calendar, 365.4 days. We've included the leap year on both of those. And you add them both together and they equal 720 and divide them by two to find the mean value is exactly 360 days. which is why the Egyptians use a 360-day calendar.

It's the solar calendar, 365.4 days. We've included the leap year on both of those. And you add them both together and they equal 720 and divide them by two to find the mean value is exactly 360 days. which is why the Egyptians use a 360-day calendar.

It's the solar calendar, 365.4 days. We've included the leap year on both of those. And you add them both together and they equal 720 and divide them by two to find the mean value is exactly 360 days. which is why the Egyptians use a 360-day calendar.

So the imbalance of the solar calendar without the counterbalance of the lunar calendar is why we're missing this knowledge and we think, oh, we just got these extra five days on here. Well, there's a reason for it because you have to think of it as two strands of DNA, right, or the backbone of DNA, rather, and the middle point is that 360 degrees as it's rotating.

So the imbalance of the solar calendar without the counterbalance of the lunar calendar is why we're missing this knowledge and we think, oh, we just got these extra five days on here. Well, there's a reason for it because you have to think of it as two strands of DNA, right, or the backbone of DNA, rather, and the middle point is that 360 degrees as it's rotating.

So the imbalance of the solar calendar without the counterbalance of the lunar calendar is why we're missing this knowledge and we think, oh, we just got these extra five days on here. Well, there's a reason for it because you have to think of it as two strands of DNA, right, or the backbone of DNA, rather, and the middle point is that 360 degrees as it's rotating.

And it's perfect because it's a matrix. So when you start to realize this, then you think, okay, what is it that the King's Chamber is really telling us? It's telling us about this huge clock of time that the sarcophagus, we believe, was originally in the center of the room. We found chip marks on the floor where they moved it out. We know that it had been moved.

And it's perfect because it's a matrix. So when you start to realize this, then you think, okay, what is it that the King's Chamber is really telling us? It's telling us about this huge clock of time that the sarcophagus, we believe, was originally in the center of the room. We found chip marks on the floor where they moved it out. We know that it had been moved.

And it's perfect because it's a matrix. So when you start to realize this, then you think, okay, what is it that the King's Chamber is really telling us? It's telling us about this huge clock of time that the sarcophagus, we believe, was originally in the center of the room. We found chip marks on the floor where they moved it out. We know that it had been moved.

And pretty much in every other place in pyramids or everywhere else that there have been with the exception of Khafre and Menkaure Pyramid, you don't have usually the place of putting some sort of a box inside. It was going to be kind of in the center of the room, not in the back corner of the room, as it were. This is facing where the west wall is.

And pretty much in every other place in pyramids or everywhere else that there have been with the exception of Khafre and Menkaure Pyramid, you don't have usually the place of putting some sort of a box inside. It was going to be kind of in the center of the room, not in the back corner of the room, as it were. This is facing where the west wall is.

And pretty much in every other place in pyramids or everywhere else that there have been with the exception of Khafre and Menkaure Pyramid, you don't have usually the place of putting some sort of a box inside. It was going to be kind of in the center of the room, not in the back corner of the room, as it were. This is facing where the west wall is.

But we have found that there's a relationship there. And all of this is the subject of my television series, Codex. And season two is already out. And you can learn all about it and see all of it. And we did it all in this really cool LiDAR scan CGI, which is hyper-realistic and very, very amazing. So it was a really fun project to do. And I'm looking forward to another season on this as well.

But we have found that there's a relationship there. And all of this is the subject of my television series, Codex. And season two is already out. And you can learn all about it and see all of it. And we did it all in this really cool LiDAR scan CGI, which is hyper-realistic and very, very amazing. So it was a really fun project to do. And I'm looking forward to another season on this as well.

But we have found that there's a relationship there. And all of this is the subject of my television series, Codex. And season two is already out. And you can learn all about it and see all of it. And we did it all in this really cool LiDAR scan CGI, which is hyper-realistic and very, very amazing. So it was a really fun project to do. And I'm looking forward to another season on this as well.

Sure. But I think that's the most profound. The second most profound... is that there's a musical relationship to all the pyramids. And that was, I just looked at it with my curious mind and I said, okay, so all the pyramids have some characteristic that makes them very different from each other. They all generally have similar architecture.

Sure. But I think that's the most profound. The second most profound... is that there's a musical relationship to all the pyramids. And that was, I just looked at it with my curious mind and I said, okay, so all the pyramids have some characteristic that makes them very different from each other. They all generally have similar architecture.

Sure. But I think that's the most profound. The second most profound... is that there's a musical relationship to all the pyramids. And that was, I just looked at it with my curious mind and I said, okay, so all the pyramids have some characteristic that makes them very different from each other. They all generally have similar architecture.