Rose Byrne

A delight.

Yeah.

We work with Kate Wilson, who's the head of voice at Juilliard.

And I've been working with her now for nearly 10 years.

And she's extraordinary because she's just like consonants, consonants, consonants.

You've got to hit the consonants, stick the landing.

Like it's the language that sort of is everything in a way.

It is this balance.

brilliant sort of use of language that he had at the age of 25, I believe, when he wrote this play.

It's all in the delivery and

the kind of the pacing of it and just staying very lightly on all of the language.

It's a real tightrope.

Yeah, I never tire of sitting backstage and constantly rediscovering the words that, and he peppers throughout, like the word callous is throughout, which I just love.

It's so

Delicious and just brilliant.

And bitterly is used a lot.

It was a bitter time, bitterly.

And it's just these brilliant words that he uses that I've started to use in my day to day as I walk around in my life now.

You're doing everything bitterly now.

Exactly.